Catalogue 1984
Index and Introduction | Films and Related Work A-J L-W | Appendix
Supplement 1987 Index and Introduction | Films and Related Work A-J L-Y | Appendix
FUNNEL APPENDIX 1987
AN ALPHABETICAL LISTING OF ARTISTS
FILMOGRAPHY / VIDEOGRAPHY / SCREENINGS / BIBLIOGRAPHY
* in the Funnel Collection
NOTE: This Appendix was compiled from
information supplied by the artists.
Discrepancies in the comprehensiveness and completeness of listings
may exist.
Jo Ahlers, Ric Amis, Amy Bodman, Bruce LaBruce,
Sharon Cook, Fenway Crane, Ron Edding, Munro Ferguson,
Adele Friedman, Su Friedrich, Cindy Gawel, Michael Hoolboom,
G.B. Jones, Peter Lipskis, Lorne MacDonald, Anne MacLean,
KMC, Annette Mangaard, Gary McLaren, Ted Myerscough,
Paulette Phillips, Polly Perverse, Richard Raxlen, Susan Reaney,
Pascal Sharp, Geoffrey Shea, Joseph Tabah, Dot Tuer,
Janko Virant, Nicola Wojewoda Jean Young.
JO AHLERS
FILMOGRAPHY
PAULO POST FUTURUM (1968)
*PRAETEREA POST FUTURUM (1968)
FUTURA PRAECEDET FINEM (1969)
SCREENINGS & EXHIBITIONS
1985 The Funnel, Toronto; Cinema Windsor, Windsor
RIC AMIS
FILMOGRAPHY
I NEVER KNEW THE REAL THING (1980)
PU, PU, PUNKS (1980)
*FLOW (1980)
UNTITLED (1977)
VIDEOGRAPHY
ENCOUNTER - TIIROUGH THE GLASS (1984)
TILE WALL (1983)
REVEALED SILENCE (1983)
RAOUL & LUDWIG (1983)
DANTON'S DEATH (1980)
SCREENINGS & EXHIBITIONS
1973 'Today's Ancestors', Pacheana Bay Indian Reserve, Vancouver
Island.
1974 'Untitled', Granville Street Gallery, Vancouver.
1975 'Untitled', Granville Street Gallery, Vancouver.
1978 'Kadlis', Ryerson Polytechnical Institute, Toronto.
1980 'Kadlis', Warszawa University, Warsaw, Poland; 'Kadlis',
The Funnel, Toronto.
1984 'Isolation', Hamilton Union of Unemployed, Hamilton.
1985 'Camp Life in the Yukon', The United Steelworkers Hall,
Hamilton.
PUBLICATIONS
"Telidon: Today and Tomorrow", Parallelogramme, October
1981
"Film and Video Against Censorship", Parallelogramme,
November 1982.
"Media & Politics", TKO Magazine, April 1983.
"Tale of Two Cities - Metro Toronto Funding", Fuse
Magazine, November 1984.
"Lobbying Tidbits", Parallelogramme, February 1985.
AMY BODMAN
FILMOGRAPHY
*TREE TALE (1986)
SCREENINGS & EXHIBITIONS
1986 Montréal Film Festival, Montreal; Independent Film
and Video Alliance, Quebec City
FILMS BY BRUCE LABRUCE and ANNE MACLEAN
FILMOGRAPHY
*NO GUFF, EGRI (1985)
SCREENINGS & EXHIBITIONS
1986 Cabana Room, Toronto; Togethers, Toronto; The Funnel, Toronto
SHARON COOK
FILMOGRAPHY
*EVINRUDE OUTBOARD (1982)
BIRDHOUSE 1 (1983)
ORANGE GOURD (1983)
UNTITLED # 2 (1983)
WHITE ANGEL TRUCKS (1983)
*FOREVER YOURS (1983/85)
VESUVIAN VAMP (1985)
*ENCYCLOPEDIA OF NATURAL DEFECTS (1986)
*Y4JZ AND THE MYSTERIOUS HIDDEN BATTLE OF
THE INTROVOLUTIONS (SUBTITLE VERSION) (1986)
SCREENINGS AND EXHIBITIONS
1981 Chromazone Gallery, Toronto; Mercer Union, Toronto
1983 The Funnel, Toronto; The Funnel, Toronto
1984 The Funnel, Toronto; Studio 620, Toronto; The Funnel, Toronto
1985 Canada House, London, England; Coup de Grace, The
Funnel, Toronto;
Cache du Cinema, The Funnel, Toronto
1986 The Funnel, Toronto; Pacific Cinemateque, Vancouver
PERFORMANCES
1983 Film/Performance, The Funnel, Toronto
1984 Prehistoric Expanded Cinema, A Space, Toronto
1985 Bedtime Stories for a Post-Hysteric Ear, A Space,
Toronto
1986 True Tales, Ice House, Harbourfront, Toronto
EXHIBITIONS
1981 Chromazone Gallery, Toronto
1983 The Funnel, Toronto; Music Gallery, Toronto
1984 Studio 620, Toronto; Artcultural Resources Centre (ARC)
, Toronto
1985 Public Image Gallery, New York City; Mercer Union, Toronto;
Harbourfront Art Gallery, Toronto; Garnet Press, Toronto;
Garnet Press, Toronto; The AIR Gallery, Tokyo, Japan
BIBLIOGRAPHY
Jennifer Oille, Vanguard, Winter 1981/82
John Bentley Mays, The Globe & Mail, October 1981
Dot Tuer, Vanguard, April 1984
John Bentley Mays, The Globe & Mail, May 1984
Donna Lypchuk, C Magazine, Summer 1985
John Bentley Mays, The Globe & Mail, July 1985
Z. Gartner, The Globe & Mail, July 1985
Seth Feldman, Vanguard, May 1985
Dierdre Hanna, Vanguard, Fall 1985
Dot Tuer, Parachute, 1986
PUBLICATIONS
Funnel Newsletter, Vol. 7, 1986
Musicworks, Summer 1985
Impulse, Vol. 11 No.4
Chromatique - A Pocket Chromazone, 1982
FENWAY CRANE
FILMOGRAPHY
*TILE ORPHANAGE (1959 - 1980)
*FAT CORNER (1959)
*LIFE DRAWING ONE (1960)
*LIFE DRAWING TWO (1960) '
*SONG FOR MIXED CHOIR (1961)
*SELF PORTRAIT WITH PIPE AND BANDAGED EAR (1961)
*PHONOGRAPH (1961)
*REQUIEM (1962)
RON EDDING
FILMOGRAPHY
MARILYN'S DREAM (1982)
BOM APETITE (1983)
SUMMER DAY #2 (1983)
*AT THE END OF THE LINE (1985)
BLONDE ON THE WALL (1985)
STILL LIFE (1986)
SCREENINGS & EXHIBITIONS
1979 Gallery 2302, Toronto
1984 'Art & The Artist Group Show', Pauline McGibbon Cultural
Centre, Toronto;
'Access '84', Toronto
1985 Films by Men, A Space, Toronto; Canada House, London,
England;
'Art Department Group Show', Toronto;
New Film Showcase', The Funnel, Toronto; Cache du Cinema, The
Funnel, Toronto
MUNRO FERGUSON and PASCAL SHARP
FILMOGRAPHY
*LOBLAW'S CHECKOUT GAME (with Eo Sharp) (1983)
*GREEK CIVILIZATION (1985)
POODLES WITH PROBLEMS (with Sophie Viticovitsky) (1985).
N.0.J.0.B. (1985)
PUBLICATIONS
THE ADVENTURES OF ROBERTA, Munro Ferguson,
Press Porcepic, Victoria, B.C., 1985
EUREKA, Munro Ferguson, Comic strip featured weekly on
The Globe and Mail Science page since January 1985.
ADELE FRIEDMAN
FILMOGRAPHY
CHRIS AND THE L.A. NIGHT (1977/82)
DOUG AND HIS PLANTS (1977/82)
UNTITLED 1980-81 (1980181)
*UNTITLED (1981)
PEGGY (1982)
VALENTINE FOR... (1982)
CHANTAL (1983)
SARA AND NORMAN (1983)
UNTITLED #1 (1983)
UNTITLED #2 (1983)
SCREENINGS & EXHIBITIONS
1981 Chicago Filmmakers
1982 The Film Centre, School of the Art Institute of Chicago,
Chicago
1983 Chicago Filmmakers, Chicago; Pasadena Film Forum, Pasadena,
California;
California Institute of the Arts, School of Film and Video, Valencia,
California
1984 The Funnel, Toronto; Millenium Film Workshop, New York
1985 Filmforum, Los Angeles, California; Scratch Cinema, Paris;
East Anglia Filmmakers, Norwich, England; Chapter Centre for the Arts,
Cardiff, Wales;
Berks Filmmakers, Albright College, Reading, Pennsylvania;
The Film Centre, School of the Art Institute of Chicago, Chicago, Illinois
1986 Harvard University Film Archive, Carpenter Centre, Cambridge,
MA;
Madison Filmmakers Collaborative, Madison, Wisconsin;
The Arsenal, West Berlin, Germany; Frankfurt Film Museum, Frankfurt;
London Filmmakers Coop, London, England
BIBLIOGRAPHY
"A Woman's Work Is...", Michael Tincher, The Santa Fe Reporter,
February 1975.
"The Films of Adele Friedman", Nora Jacobson, The Downtown
Review, Vol.2, No.2, Spring 1980.
"Adele Friedman, Tom Palazzolo: Filmmakers from the Second City",
Jack Helbig, The Chicago Maroon, University of Chicago, Vol.90, No.44,
April 10, 1981. •
"Moving Shadow Portraits: Films by Adele Friedman", Harvey
Nosowitz, Chicago Reader, Vol.11, No.12, December 1981.
"One Exhibit Wild, the Other Low Key", Ellen Schlesinger,
The Sacramento Bee, March 1982.
"Chicago Photography", Art West, Vol.21, No. 11, February
26, 1982.
"View of Chicago", Harvey Nosowitz, Millenium Film Journal
(New York), No.12, Fall/Winter 1982/83.
"Diverse & Lively Makeup of Chi Indic Filmmakers", Richard
Pena, Variety New York, November 1983.
"Presence and Absence: Films by Adele Friedman", Harvey Nosowitz,
Chicago Journal, December 1983.
"Women Filmmakers in Norwich", Eastward (England), Vo1.14,
No.3, March 1985.
"Three Films of Adele Friedman", Helen Knode, The LA Weekly,
VoL7, No.23, May 1985.
Alternative Spaces: A History in Chicago, Lynn Warren, Museum of Contemporary
Art, Chicago, Illinois. "Correspondan'e'nce Adele Friedman/Yann
Beauvais", Yann Beauvais, SCRATCH Cinema Experimentale, Paris,
October 1985.
SU FRIEDRICH
FILMOGRAPHY
HOT WATER (1978)
COOL HANDS, WARM HEART (1979)
SCAR TISSUE (1979)
I SUGGEST MINE (1980)
*GENTLY DOWN THE STREAM (1981)
BUT NO ONE (1981)
BUT NO ONE, variation (1982)
*THE TIES THAT BIND (1984)
PUBLICATIONS
Heresies No's. 1, 2, 3, 4, 6, 9, 16. Photographs, fiction, essays, and
scripts.
The Downtown Review, 1980 - 82. Articles about Bette Gordon, P. Adams
Sitney,
Leslie Thornton, and Margaretta von Trotta.
Gently Down The Stream, 1983. Self-published photo/text book.
Heresies 16: Film/Video/Media Issue, 1983. Co-editor and production
manager.
"(Script) For a Film Without Images", Feminism/Film, No.1,
1984
BIBLIOGRAPHY
"Female Rage: The Films of Su Friedrich", Lindley Hanlon,
Millenium Film Journal, Spring 1983
"A Cutting Room of One's Own", Kathleen Hulser, In These Times,
January 1984
"On Gently Down The Stream", Barbara Kruger, Arybrum, November
1983
"On The Ties That Bind", J. Hoberman, Village Voice, May 1984
"Women's Cinema From the USA and Brazil", Elisabeta d'Erme,
Corriera Della Serra (Rome), August 1984
"History NOW", Harvey Nosowitz, Chicago Reader, October 1984
"On The Ties That Bind", Barbara Kruger, ArYbrum, October
1984
"Structure & Rhythm", Hedemarie Strauch, Zitty (Berlin),
December 1984
"New York Independent Cinema", Berenice Reynaud, FUSE, Summer
1985
"Witness To War and The Ties That Bind", Vincent Canby, New
York Times, 4 April 1985
"Serious Fun", David Edelstein, Village Voice, April 1985
"Text As Image", Scott Macdonald, After Image, March 1986
"Gently Down The Stream", Bruce Jenkins, Millenium Film Journal,
Summer 1986
"Un Regard Different", Serge Dussault, La Presse (Paris),
June 1986
SCREENINGS
1981 Hartford Art School, Connecticut
1982 Hampshire College, Massachusetts
1983 New York University; School of Visual Arts, New York; California
1984 Millenium Film Workshop, New York; San Francisco Cinemateque;
Arsenal, Berlin; Deutsche Film and Femsehakademie, Berlin; Filmbiihne
am Steinplatz, Berlin; Filmmuseum, Munich
1985 Collective for Living Cinema, New York; The Carnegie Museum
of Art, Pennsylvania; Film in the Cities, Minnesota; Metropolis, Hamburg;
Filmmuseum, Frankfurt; Kommunales Kino, Karlsruhe; London Filmmakers
Coop, London; North East London Polytechnic; Harrow College of Art,
England
1986 The Walker Art Centre, Minnesota; Colgate University, New
York; Utica College, New York; Women's Studio Workshop, New York; University
of Rhode Island, Rhode Island; The Ties That Bind, WNYC TV, New York,
January ; The Ties That Bind, Channel 21 TV, Pennsylvania, September
CINDY GAWEL
FILMOGRAPHY
*ACCIDENT / INTERRUPTION (1984/85)
*FRAMING FACTORY (1985/86)
SCREENINGS & EXHIBITIONS
1984 The Funnel, Toronto; Ryerson Polytechnic, Toronto
1985 The Funnel, Toronto; Ryerson Polytechnic, Toronto;
Canada House, London, England; Winnipeg Film Group, Winnipeg; TV Ontario
1986 Art Gallery of Ontario, Toronto
MICHAEL HOOLBOOM
FILMOGRAPHY
*EULOGY FOR TOM SAWYER (1981)
*LOUISIANA PURCHASE (1982)
*THE BIG SHOW (1984)
*BAR GOOD FOOD DESERT IN (1984)
*BOOK OF LIES (1985)
*WHITE MUSEUM (1986)
*COCKSCROW OF THE INFINITE RECTANGLE (1986)
G.B. JONES
FILMOGRAPHY
* UNIONVILLE (1985)
SCREENINGS & EXHIBITIONS
1985 The Funnel, Toronto; Canada House, London, England; The
Rivoli, Toronto
1986 Private Screenings, Toronto; The Funnel, Toronto
BIBLIOGRAPHY
"New Year/Chromazone", Jennifer Oille, Vanguard, May 1983.
"Discovering Toronto Filmmakers", Dot Tuer, Cache du Cinema
Catalogue, April 1985.
PUBLICATIONS
Co-editor of HIDE cassetzine Numbers 1 - 5, 1981-86, with (alternately)
Kathleen Robertson, Candy Pauker, Caroline AzarBenyes, Bruce LaBruce.
The Barracks, (Sic.) Magazine, 1980.
PETER LIPSKIS
FILMOGRAPHY
GOOD FRIDAY (1974/75)
I WAS A TEENAGED PERSONALITY CRISIS! (1975)
EXPERIMENTAL RHYTHMS (1974/77)
SPARE PARTS (1975)
TRANCE AMERICAN IMPRESSIONS (1975/77)
EYE DENTIFIED IMAGE (1976)
PROCESSED CELLO (1977)
WESTERN AMERICAN IMPRESSIONS (1977)
FLOATING REFLECTIONS (1977)
HAUNTED HOUSE (1977)
HOME MOVIE (1977)
COMMERCIALS FOR FREE (SIGGY MAGIC) (1978)
A FACE IN THE CROWD (1978)
NOUVELLE VAGUE VIDEOFILMS (1973/79)
GEMINAE NUPTIAE (with Dale Pickering) (1979)
LONDON (1979)
ECLIPSE (1979)
*ITS A MIXED UP WORLD (1982)
*CRYSTALS (1983/85)
*THE FOUNTAIN (1983)
*COL.- EXP. (1983)
*THE RED CAR (1983185)
*HOLLYWOOD AND BEYOND (1980/83/84)
*AQUARELLE X 2 (1985)
VANCOUVER HONEYMOON (1986)
VIDEOGRAPHY
ROSALIE (with Susan Kaija) (1979)
DIFFERENCE (with Julie Abbott) (1979)
D. LORNE MACDONALD
FILMOGRAPHY
THE CITIZEN (1972/unfinished)
SOLUS REX (1973/unfinished)
NOTES TOWARDS A DIALECTICAL CRITIQUE OF THE
MATERIALIST CINEMA OF JEAN-LUC GODARD (1974/unfinished)
*DING DONG / DONT LISTEN (1983)
SCREENINGS
1985 The Funnel, Toronto
PUBLICATIONS
"Flaws in the Pattern: Human Rights in Literature", Toronto,
Amnesty International Canada, 1978. (Co-editor and articles)
"The Writer and Human Rights", Toronto: Lester and Orpen Dennys,
1984. (Co-editor)
"Merrill and Freud: The Psychopathology of Eternal Life",
Comparative Literature Colloquium, University of British Columbia, March
1984. (revised and edited for publication in Mosaic).
"Lord Byron's Orientalism", Brock House Literary Lecture Series,
Vancouver, October 1984.
Review of Leonora Woodman, "Stanza My Stone: Wallace Stevens and
the Hermetic Tradition," in Cauda Pavonis: The Hermetic Text Society
Newsletter, No.'s 4.1 (Spring 1985): 3 - 4.
"Eighteenth-Century Optimism as Metafiction in Pale Fire",
The Nabokovian 14, Spring 1985.
"The Ghosts of the Villa Diodati", Brock House Literary Lecture
Series, Vancouver, October 1985.
"Curse of the Vampyre: The Strange Afterlife of John William Polidori",
English Department Colloquium, University of British Columbia, February
1986.
"Wallace Stevens, Victor Serge, and the Russian Revolution",
Brock House Literary Lecture Series, Vancouver, April 1986. "Review
of Ross Labrie", James Merrill; David Lehman and Charles Berger,
Eds.. 1986
Review of James E.B. Breslin, "From Modem to Contemporary: American
Poetry, 1945 - 1965"; David
Lehman and Charles Berger, Eds., forthcoming in Canadian Review of American
Studies.
"Orientalism and Eroticism in Byron and Merrill",
Philological Association of the Pacific Coast Conference, University
of California, Santa Cruz, November 1985; forthcoming in Pacific Coast
Philology (1986)
KMC
FILMOGRAPHY
THE DISASTER (1978)
TONIGHT (1981)
CHASED BY WHO? (1983)
OUR DEAD HEROES (1983)
WHAT SEX? WHAT GENDER? (1984)
*UPSTAIRS, INSIDE (1985)
VIDEOGRAPHY
IMPRISONED IMAGE (1984)
VIDEO DIARY (1984)
ONE WAY MIRROR (1985)
SCREENINGS & EXHIBITIONS
1985 'O.C.A. Group Show', The Rivoli, Toronto; The Funnel, Toronto;
Canada House, London, England
1986 Youth Festival, Torino, Italy
ANNETTE MANGAARD
FILMOGRAPHY
*NOTHING BY MOUTH (1984)
*SHE BIT ME SERIOUSLY (1984)
*THERE IS IN POWER...SEDUCTION (1985)
LINE THROUGH BATH (1985)
ALICE'S BROTHER TOLD ME... (1985)
THE ICONOGRAPHY OF VENUS (1986)
*HER SOIL IS GOLD (1986)
SCREENINGS & EXHIBITIONS
1984 'New Works Showcase', The Funnel, Toronto;
'An Evening with Three', Music Gallery, Toronto; A Space, Toronto
1985 'Captive Women', Macademia Film Society, Toronto; Collective
For Living Cinema, New York; 'State of the Art', MacLean-Hunter Cable
Television Network, Toronto; Independent Film Association de Cineastes
Independante, Halifax; 'New Works Showcase', The Funnel, Toronto; 'Cache
du Cinema', Funnel, Toronto; Experimental Film Coalition, Chicago; Millenium,
New York; 'Abba Yabba', Music Gallery, Toronto
1986 'Songs of Experience', National Gallery of Canada; 'Art
Week', Art Gallery of Ontario; TV. Ontario, Interview with Elwy Yost;
Ann Arbour Film Festival, Ann Arbour, Michigan; '3rd Annual Super 8
Festival', Leicester, England; 'Women in Focus', Vancouver, Calgary
Society of Independent Filmmakers, Calgary; Winnipeg Film Group, Winnipeg;
'Voyeurgeurs 3', Rivoli, Toronto; National Film Week', Cineworks, Vancouver,
'Cable Beach', Rogers Cable, Toronto
PERFORMANCE
1982 Picnic, Palmerston Stage, Toronto; Dance Barbers, Glen Morris
Theatre, Toronto
1983 Overtones, Victoria College, Toronto; Underground Lovers,
University College Playhouse, Toronto
1984 No Exit, Video Cabaret, Toronto
1985 Songs For The New Fatalism, Rivoli, Toronto (with The Palace
At 4 A.M.)
1986 Reel Urbanity, Artculture Resource Centre, Toronto
Voyeurgeurs 3, The Rivoli, Toronto;
Dinosaur's Demise Triggers Debate, Rhubarb Theatre Festival, Toronto
EXHIBITIONS
1979 'Artventure', Royal Bank Tower, Toronto
1980-83 'Wayzgoose', Grimsby Gallery, Grimsby
1983 to present, Art Gallery of Ontario, Rental Gallery, Toronto
1983 'Solo Exhibition', Poor Alex Gallery, Toronto
1984 Group Show, Studio Gallery 620, Toronto; Two-person Show,
Gallery 44, Toronto; 'Under the Bam! Under the Boo!', Barn Boo, Toronto
1985 Group Show, Merton Gallery, Toronto
1986 'Art Forms', Kitchener-Waterloo Art Gallery, Kitchener
GARY McLAREN
FILMOGRAPHY
FAMILY MAN (1984)
SLAG DUMP (1985)
*PALM SUNDAY (1985)
*PASS THE P'S (1985)
*WHITE ANTS ATE MY BRAIN (1985)
*69.8 (1985)
*JUNE 30, 1985 (1986)
*JUST TALK (1986)
BUGS BUNNY (1986)
TV WEDDING (1986)
THAT SCENE OF A BEACH (1986)
SCREENINGS & EXHIBITIONS
1985 Freud Slips', The Funnel; 'New Films by Toronto Artists',
The Funnel;
Collective for Living Cinema, New York; IFACI Conference, St. John's,
Newfoundland;
'Six Days of Resistance', The Funnel; 'Seven Year Itch', The Funnel
1986 Nova Scotia College of Art & Design, Halifax; 'Cinema
Giovani Festival', Torino, Italy; 'The Alliance Showcase', Quebec City;
'Fourth Year Show', Ryerson Polytechnical Institute, Toronto; Winnipeg
Film Group, Winnipeg;
Film Week '86', Pacific Cine Centre, Vancouver; The Rivoli, Toronto
TED MYERSCOUGH
FILMOGRAPHY
*COMMUNIQUE (1984/85)
SCREENINGS & EXHIBITIONS
1985 Films by Men, A Space, Toronto; 'Open Screenings',
A Space, Toronto
PAULETTE PHILLIPS
FILMOGRAPHY
THE ROCKTON WORLD FAIR (1982)
*STILL HERE, STILL THERE (with Geoffrey Shea) (1983)
*H0W AM I ABUSED (with Geoffrey Shea) (1983)
VIDEOGRAPHY
SINK OR SWIM (with Geoffrey Shea) (1981)
RE-ENACTMENT OF AN EVENT WHICH MAY HAVE HAPPENED (1983)
K IS FOR CHICKEN (with Geoffrey Shea) (1983)
IT DEPENDS (1984)
GEZER'S MOUNTAIN (1985)
PERFORMANCE & RELATED MEDIA
1982 Bovinity, performance in video in collaboration with
Geoffrey Shea
Garbage, performance in video in collaboration with Geoffrey
Shea
Days of Discovery, performance with two channel video and film
1983 Find the Performer, series of 4 street performances
and video tapes
1983/84 Find the Performer, series of 4 posters displayed
in Toronto and London, England
1984 Cadence of Insanity, for 3 performers, with video,
audio and slides
1985 Recognition / Recollection / Re-enactment, performance
for billboard display
1986 Cadence of Insanity (A Reaction) PART 2 performance,
film, video, audio
SCREENINGS
1981 Women's Media Alliance, Toronto; Artculture Resource Centre,
Toronto
1982 Video Roma, Rome, Italy; Video/video, Toronto; Babagaja,
Rome, Italy
1983 Yugoslavian Video Festival; 'Chromaliving', Toronto;
Artculture Resource Centre, Toronto; The Funnel, Toronto
1984 A Space, Toronto; 'Video Culture Canada', Toronto; 'Festival
International du Nouveau Cinema et Video', Montreal; 'The New Work Show',
Toronto
1985 Centre for Art Tapes, Halifax; United Media Art Studies,
Toronto;
'Six Days of Resistance', Mercer Union, Toronto; The Funnel, Toronto
1986 The Kitchen, New York; Latitude 53, Edmonton; EM Media,
Calgary;
Walter Phillips Gallery, Banff; Artculture Resource Centre, Toronto
EXHIBITIONS & PERFORMANCES
1982 Hallwalls, Buffalo; Ed Video, Guelph; Cameron
Public House, 'ART vs. art', Toronto
1983 'Frauenkulture', Kohn, Germany; 'Women in Focus', The Parisian
Laundry Series, Vancouver, Struts Gallery, Sackville, N.B.; Centre for
Art Tapes, Halifax; SAW Gallery, Ottawa; Artspace, Peterborough; Mercer
Union, Toronto
1984 'Canadian/British Exchange', Canada House, London, England
1986 The Ice House, 'Dancework's Telling Tales', Toronto;
Western Front, Luminous Sites', Vancouver
BIBLIOGRAPHY
Elke Town, C Magazine, November 1983
"The New Work Show", Jennifer Oille, C Magazine, November
1984
"Public Address", Jennifer Oille, C Magazine, May 1985
"The Paradigmatic Phrase - Performance Art", Goldie Rans,
Vanguard, October, 1985
POLLY PERVERSE
FILMOGRAPHY
UNTITLED (1984)
UNTITLED (1986)
*THE FREUD JUNG SPLIT (1986)
SCREENINGS & EXHIBITIONS
1984 Ryerson Polytechnical Institute, Toronto
1985 The Funnel, Toronto
1986 The Funnel, Toronto
RICHARD RAXLEN
FILMOGRAPHY
EXOTICA CUISINE (1981)
YEAR OF TI1E DOG (1981)
GITANE BLUE (1982)
*15 SOLDIERS, 11 MACHINES, 8 COWS (1984)
*DIVINE RIGHT (1984/85)
*JAFFA-GATE (1984)
THE POLYTECHNIC WORLD (1984)
VIDEOGRAPHY
PIANO MOVER (Demo for Studio One) (1980)
DOUBLECROSS (1981)
JAFFA GATE (1982)
DUCK TALK (1983)
SELF-PORTRAIT (WITH FISH) (1983)
THE POLYTECHNIC WORLD (1983)
FLAGMAN'S NIGHTMARE (1984)
GREY'S LULLABY (1984)
VIEWS OF FUJI (1984)
SCREENINGS & EXHIBITIONS
Concordia University, Montreal; Montreal University, Montreal; University
of Ottawa, Ottawa; The Seville Theatre, Montréal; Ed Video, Guelph;
'International Festival of New Film (Video Presence); The Funnel, Toronto;
The Winnipeg Film Group, Winnipeg; Main Film, Montreal; Commun Commune,
Montreal; 'Oberhausen Film Festival', Oberhausen, Germany; 'Tehran International
Festival for Children's Films'; American Film Festival; Montreal Film
Festival; Canadian Film Festival; CBC TV and City TV, Toronto
PUBLICATIONS
Various poems published in small magazines including Canadian Forum,
Aylesford Review, and one poem reprinted in T.H. White's America At
Last. 1963 to 1966.
Poems By Rax, Book of 50 Poems, self-published. 1966.
Screen Adaptation of Indian legend for Legend, film for National Film
Board, 1970.
"Your Sabbatical And How To Take It", Screen Magazine, National
Film Board of Canada Media Research. 1974.
"The Cheese Stands Alone", short story, Heavy Metal Magazine,
1978.
"Seminal Ennui", screenplay (unproduced), 1978.
Love Without Mirrors, novel (2nd draft), unpublished, 1979.
Artbooks, series of artist's books, self-published, six different editions,
1979.
"Poem", Main Film Newsletter, 1983.
SUSAN REANEY
FILMOGRAPHY
*HARLEQUIN DAVE (1984)
SCREENINGS & EXHIBITIONS
1985 'Cache du Cinema', The Funnel, Toronto; Cinema Windsor,
Windsor, Ontario
GEOFFREY SHEA
FILMOGRAPHY
*STILL HERE, STILL THERE (TRAVELOGUE) (1984) (with Paulette Phillips)
*HOW AM I ABUSED (1985) (with Paulette Phillips)
VIDEOGRAPHY
IKE GETS REVENGE (1980)
EDIE (1981)
SINK OR SWIM (with Paulette Phillips) (1981)
FOLDING NEWSPAPER (1982)
PINK NOISE (1982)
COUPE DU MONDE (1982)
ALIENS (1983)
PROPOSAL #30 (1983)
SPEAK NO EVIL (1983)
TIMMINS (ONT.) (1984)
TILE ART OF RECEIVING DATA (1984)
K IS FOR CHICKEN (with Paulette Phillips) (1984)
TENTATIVE CONCLUSIONS (1984)
RACETRACK (1985)
WORK (1986) (in progress) (with Paulette Phillips)
PROJECT FOR THE U.S.S.R. (1986) (in progress)
SCREENINGS & EXHIBITIONS
1982 Video Roma, Italy; Video/video, Toronto; Artculture Resource
Centre, Toronto
1983 The Gallery, Stratford; Forest City Gallery, London, Ontario;
Video Femmes, Quebec; Hallwalls, Buffalo; 'Art for Peace', The Music
Gallery, Toronto
1984 'New Toronto Films', A Space, Toronto; 'Kijkhuis Video Festival',
Holland; 'International Festival du Cinema et Video', Montreal;
'New Works Show', Toronto; 'Chromaliving', Toronto
1985 'Shea & Phillips', Centre for Art Tapes, Halifax; 'Shea
& Phillips', United Media Art Studies, Toronto; Phosphorous Diode',
Video Inn, Vancouver;
'Canadian Video', SAW Gallery, Ottawa; 'Cache du Cinema', The Funnel,
Toronto
1986 'Shea & Phillips', Walter Phillips Gallery, Banff;
'Shea & Phillips', Latitude 53/FAVA, Edmonton; 'Shea & Phillips',
EM Media, Calgary
JOSEPH TABAH
FILMOGRAPHY
ALBERTA (1980)
SARAH (1981 - ongoing)
COMPANY TIME (1982)
LAUNDRAMAT DREAM (1983)
STEAM DREAM (1983)
THE POWER OF SUGGESTION (1984)
*'1985' (1985)
*OCTOBER: BLUE FRUIT (1985)
SCREENINGS & EXHIBITIONS
1978 'Artist's Choice Baker's Dozen', Damkjar Gallery, Toronto
1980 '406 Exhibition', Niagara Artists Company, St. Catherines,
Ontario
1981 'Le Groupe Sommerville', Montreal
1982 '0 Kromazone' film program, Berlin and Frankfurt, West Germany
1983 'Films By Painters', The Funnel, Toronto
1984 Facing the Sun' (installation), ARC Salon, Toronto; 'Access
'84', Toronto; PMCC, Toronto
1985 'Cache du Cinema (Coup de Grace)', The Funnel, Toronto;
'Cache du Cinema', The Funnel, Toronto;
Screening, Canada House, London, England; 'Art for Chile', 220 Gallery,
Toronto
1986 Collective For Living Cinema, New York
DOT TUER
FILMOGRAPHY
*MY DISGUSTING FLOWER (1984)
*'IT'S CONFIDENTIAL' (1985)
*BOARDING HOUSE (1985)
SCREENINGS & EXHIBITIONS
1984 The Funnel, Toronto
1985 The Funnel, Toronto; The Rivoli, Toronto
1986 The Funnel, Toronto; 'National Film Week', Vancouver.
PUBUCATIONS
"Chantal Ackerman", Funnel Newsletter, Nov./Dec.1984.
"Berlin Super 8", Vanguard, Vol. 13, No. 1, February 1984.
"Tony Conrad", Funnel Newsletter, March/April 1984.
"Jim Anderson / Sharon Cook",Vanguard, Vol.13,No. 4, April
1984
"Rick Hancox", Vanguard, Vol. 13, No.4, May 1984.
"Four Questions", C Magazine, No. 3, Fall 1984.
"The Resurrection of Larry Kent", Cinema Canada, No. 112,
November 1984.
"Experiments: The Photographic Image", Vanguard, Vol. 13,
No. 9, November 1984.
"Subjects In Pictures", Vanguard, Vol. 13, No. 10, December
1984.
"Brassieres of Uranus" (Jack Smith), Funnel Newsletter, January/February
1985.
"Feminine Pleasure And The Politics of Seduction", C Magazine,
No. 4, Winter 1985.
"Dot And Davis On The Path To", Funnel Newsletter, March/April
1985.
"Lisa Steele's Retrospective", Parachute, Spring 1985.
"The Site of An Imaginary History", Impulse, Summer 1985.
"Repetition And The Site of the Reel" (An Examination of Jim
Anderson's 'Bois de Balzac), C Magazine, No. 6, Summer 1985.
"Christine Davis", Vanguard, Vol. 14, No. 8, October 1985.
"Places of Prodigy" (Nicola Wojewoda), C Magazine, No. 7,
Fall 1985.
Mary, Mary Is Quite Contrary, (short story) Cold City Fiction, Impulse
Magazine, Spring 1986.
"To Speak of Difference" (Critique of 'In A Different Voice'),
Parachute, Number 43, Summer 1986.
"Film Portraits of Women By Women", A Series of Contemporary
Films by Women from France, The Funnel, April 1986.
"The CEAC Was Banned In Canada: Programme Notes for a Tragic-Comic
Opera in Three Acts", C Magazine, No. 11, Fall 1986.
JANKO VIRANT
FILMOGRAPHY
SOMETIMES - ALWAYS
SOMETHING HITCH-HIKING
A MAN OR A BUTTERFLY
ROBI
THE SEA
AN EXHIBITION
WITHOUT A TITLE
HERE WE ARE
THAT SOMETHING WITHIN ME
A WALK (1980)
HANDKERCHIEF (1980)
POST SCRIPTUM (1981)
RAY (1982)
1ST (1983)
FROM HERE TO ETERNITY (1984)
*TOWARDS (1984)
PPF (1985)
*WHY DID YOU BELIEVE AUGUST '83 (1984)
SCREENINGS & EXHIBITIONS
1984 'New Works Showcase', The Funnel, Toronto; 'Exhibition of
Photography', The Students' Cultural Centre, Ljubljana, Yugoslavia;
'Exhibition of Photography', The Art Gallery of Kocevje, Kocevje, Yugoslavia
1985 'New Films by Toronto Artists', The Funnel, Toronto; 'Films
By Men', A Space, Toronto; Exhibition of Photography, 'The Tribune of
the Young', Novi Sad, Yugoslavia
1986 Solo Show, The Funnel, Toronto
NICOLA WOJEWODA
FILMOGRAPHY
*WHAT DID YOU SEE THERE? (1985)
SUSAN IN BLACK AND WHITE (1985)
ALSO RANS (1985)
SLOW SUNDAY (1985)
PRIMARY TURTLES (1985)
*152 PICTURE POSTCARDS (1985)
*a different perspective (1985) slides/tape
*A SIMPLE STORY (1985) slides/tape
SCREENINGS & EXHIBITIONS
1985 'New Works' (solo), MacKenzie Gallery, Peterborough, Ontario;
'Solo Film Screenings', MacKenzie Gallery, Peterborough, Ontario; 'Places
of Prodigy' (solo), Garnet Press, Toronto; 'Lassoed Event', Garnet Press,
Toronto; 'Public Image, Public Image/Private Myth', New York City; Air
Gallery, 'Group Slide Show', Tokyo, Japan; 'Cache du Cinema', The Funnel,
Toronto; 'Thinking of Leaving Ontario', The Funnel, Toronto; 'Group
Show of Canadian Filmmakers', Canada House, London, England
BIBLIOGRAPHY
John Bentley Mays, The Globe & Mail, 1984
"Places of Prodigy", Dot Tuer, C Magazine, No. 7, Fall 1985
T.S.U. Views, Peterborough, 1985
Martha Tancock, Peterborough Examiner, 1985
JEAN YOUNG
FILMOGRAPHY
SUBURBAN BUS RIDE (1985)
*COLONNADE (1986)
SCREENINGS & EXHIBITIONS
1985 The Funnel, Toronto, Ontario
1986 SAW Gallery, Ottawa, Ontario; Neutral Ground, Regina, Saskatchewan
North West Media Network; 'Celebration of Women in the Arts', Edmonton,
Alberta;
'Women in Focus', Vancouver, B.C.; 'In A Different Voice', The Funnel,
Toronto
BIBLIOGRAPHY
In A Different Voice, Judith Doyle, The Funnel, Toronto, 1986.
PUBLICAT1ONS
Co-Editor & Co-Publisher of Dr. Smith, a Toronto based fanzine,
1983 to present.
NOTE: This appendix was compiled from information supplied
by the artists.
Discrepancies in comprehensiveness of information and/or omissions may
exist.