Catalogue 1984 Index and Introduction | Films and Related Work A-J L-W | Appendix
Supplement 1987 Index and Introduction | Films and Related Work A-J L-Y | Appendix


FUNNEL APPENDIX 1984
AN ALPHABETICAL LISTING OF ARTISTS
FILMOGRAPHY / BIBLIOGRAPHY / SCREENINGS
* in the Funnel Collection

NOTE: This appendix was compiled from information supplied by the artists.
Discrepancies in comprehensiveness of information and/or omissions may exist.

Blaine Allan, David Anderson, Jim Anderson, Rebecca Baird, Raphael Bendahan,
David Bennell, Douglas Berquist, Deborah Clarkin, Ian Cochrane, Martha Davis,
Judith Doyle, Peter Dudar, Bruce Elder, Fast Wurms, Mikki Fontana,
Eldon Garnet, Ric Greenwald, Vincent Grenier, Anna Gronau, Robert Gutteridge,
Barbara Hammer, Frieder Hochheim, Nicolas Jenkins, Patrick Jenkins,
Robin Lee, Keith Lock, Rose Lowder, Toby MacLennan, Paul McGowan,
Ross McLaren, Michaelle McLean, Sandra Meigs, Michael Merrill,
Adrienne Mitchell, Suzanne Naughton, Stephen Niblock, Midi Onodera, John Porter,
Robert Rayher, Pierre Rovere, Julian Samuel, Alan Sondheim, Blaine Speigel,
Edith Steiner, Leila Sujir, Adam Swica, Villem Teder, Carolyn White, Joyce Wieland.

BLAINE ALLAN

SELECTED FILMOGRAPHY
THERE GOES THE NEIGHBOURHOOD (1975), Colour, Sound, 16mm, 14 minutes
V-2's BLUES (1977), Colour, Sound, 16mm, 2 minutes
*YUKON POSTCARDS (1983), Colour/B & W, Sound, 16mm, 18 minutes

SELECTED BIBLIOGRAPHY
"Yukon Postcards by Blaine Allan", by Anna Gronau, Vanguard, (January 1984)

SELECTED SCREENINGS
1983 Waterloo University; Kingston Artists' Association Inc, Kingston; Grierson Film Seminar, Niagara On The Lake; The Funnel, Toronto; Kitchener-Waterloo Regional Art Gallery, Kitchener; The Collective For Living Cinema, New York City.

SELECTED WRITING
"Up Against the Institutional Wall: A Dissenting View", Film Reader 4 (1979)
"Editorial", Film Reader 4 (1979)fbep"Coast to Coast Fever", Jumpcut 20 (May 1979)
"Singin' In The Rain" in "Movies About Movies/Chicago '77", Art Institute (1977)
"David Rimmer's 'Surfacing On The Thames"', Cine-Tracts 9 (1980)
"The Only Voice in the World: Telling 'The Saga of Anatahan'", in 'Sternberg'. Edited by Peter Baxter. London: British Film Institute (1980)
"The Funnel Experimental Film Theatre", Kingston: National Film Theatre (1981)
"The Beat, the Hip, and the Square", Film Reader 5 (1982)
"Elvis" Queen's Quarterly 90, no. 2 (Summer 1983)
"'Regards', a film by Anna Gronau"

DAVID ANDERSON

SELECTED FILMOGRAPHY
*THREE POEMS (1972) Silent, 16mm, 10 minutes
*BIG WAVE (1973), Silent, 16mm, 61/2 minutes
SELF PORTRAIT ARMSLENGTH (1974) Silent, Regular 8, 3 minutes
*AMARYLLIS (1973) Silent, Regular 8 (S8 print), 2 1/2 minutes
SPRING (1974) Silent, Regular 8, 31/2 minutes
252 ADELAIDE STREET (1974), Silent, Regular 8, 9 minutes
CITY (1974), Silent, Regular 8, 31/2 minutes
TEPERMAN (1974) Silent, Regular 8, 7 minutes
*KINGSTON BY BUS (1975), Silent, Regular 8 (S8 print), 6 1/2 minutes
BUCK LAKE RATTLE (1975), Silent, Super 8, 8 minutes
*TIM HORTON DOUGHNUTS (1975), Sound, Regular 8 (S8 print), 5 minutes
BIRTH FILM (1976), Silent, 16mm, 30 minutes
WASHAGO (1976), Silent, 16mm, 10 minutes
*MR SIGNMAN, MAKE ME A SIGN (1977-78), Silent, Super 8, 22 minutes
*EAT (1977), Silent, Super 8, 9 minutes
*BI-RITE (1978), Silent, Super 8, 11 minutes
*NINE BIRTHDAYS (1974-83) Film/Performance, 40 minutes
GOOD-BYE TO LIBERTY STREET (1980-84) Super 8, in progress

SELECTED BIBLIOGRAPHY
"Three Films By David Anderson", by Anna Gronau, Funnel Newsletter Vol. 1, No. 2 (March 1980)
"Gun Milk-an interview with David Anderson", by Peter Stevens, (March 1981) unpublished

SELECTED SCREENINGS
1977 'Three Filmmakers From Toronto: Hallwalls Gallery/ Buffalo; 'Independent Film Views,', Art Gallery of Ontario/ Toronto
1978 'A Celebration of Canadian Film', Canadian Images Festival/Peterborough; 'The Anderson Bros. In Person', National Film Theatre/Kingston; 'April 11th', The Funnel/Toronto 1979 'Cineastes Toronto', Cinema Parallele/Montreal 1980 'Three Films And Cake', Funnel/Toronto
1981 'Funnel Group Screening', Forest City Gallery/London; `Explorations In Super 8', Art Gallery of Ontario/Toronto 1982 'Film von Kanada -8 Canadian Filmmakers', Institut Unzeit/West Berlin
1983 'Off The Rack', Funnel/Toronto

JIM ANDERSON

SELECTED FILMOGRAPHY
*SCREAM OF A BUTTERFLY (1969), Silent, 6 minutes, Colour, 16mm
BASE TRANQUILITY (With Keith Lock), (1970), Sound, 6 minutes, Colour, 16mm
ARNOLD (With Keith Lock), (1970), Sound, 12 minutes, B/W, 16mm
ONTARIO LAND (1972), Sound, 7 minutes, Colour, 16mm (in process of revision)
*ROYAL ONTARIO MUSEUM (1972), Sound, 10 minutes, B/W, 16mm
THE BIG KEY (1972), Sound, 8 minutes, B/W, 16mm
* YONGE STREET (1972), Sound, 7 minutes, B/W, 16mm WORK, BIKE AND EAT (With Keith Lock), (1972), Sound, 40 minutes, B/W, 16mm
*S-MO (1973), Sound, 7 minutes, Colour, 16mm
*GRAVITY IS NOT SAD BUT GLAD (1975), Sound, 95 minutes, Colour, 16mm
*CANADA MINI-NOTES (1975), Sound, 15 minutes, Colour, 16mm
*MOVING BICYCLE PICTURE (1975), Silent, 12 minutes, Colour, 16mm
*YELLOW WOMAN MEETS THE X-WOMAN (1981), Sound, 6 minutes, Colour, Super 8
*LE BOIS DE BALZAC (1973-81), Sound, 42 minutes, Colour, 16mm
*AUDREY WAY UP NORTH (1982), Sound, 10 minutes, Colour, Super 8

SELECTED SCREENINGS
1977 Hallwalls Gallery/Buffalo
1978 National Film Theatre/Kingston; Canadian Images Festival/Peterborough; Ann Arbour Film Festival/Michigan; Film Forum/New York City; The Funnel/Toronto
1979 Cinema Parallele/Montreal; Oppenhaussen Film Festival/ Germany; The Funnel/Toronto
1980 The Funnel/Toronto; Hallwalls Gallery/Buffalo
1981 The Frontiers (broadcast)/PBS Buffalo; Forest City Gallery/ London; Hamilton Art Gallery/Hamilton; Open Space Gallery/ Victoria
1982 The Funnel/Toronto; London Filmmakers' Co-op/ England; Aorta/Amsterdam; La Chambre Blanche/Quebec City; Millennium Filmmakers' Workshop/New York City; SWAMP/ El Paso; XII Biennale de Paris; West Berlin, Germany
1983 The Collective For Living Cinema/New York; Mendel Gallery/Saskatoon; Nova Scotia College of Art & Design/Halifax

SELECTED BIBLIOGRAPHY
"Report From Toronto", by Kathy Elder, Millenium Film Journal #10-11, (1982)
"Jim Anderson/Mercer Union", by Jeanne Randolph, Vanguard (Oct/Nov 1982)
"Jim Anderson, A Chronology of Work", by Anna Gronau, Funnel Newsletter, Vol. 4, No. 3 (1983)

REBECCA BAIRD

SELECTED FILMOGRAPHY
YUCATAN VALENTINE (1980), Super 8, Sound, 3 minutes * STAND BY YOUR PLANT (1981), Super 8, Sound, 7 minutes * WHITE-OUT (1981), Super 8, Sound, 3 minutes* YEA YEA (1981), Super 8, Sound, 13 minutes
COWBOYS DON'T FALL IN LOVE (1983), Super 8, Sound, 3 minutes

SELECTED SCREENINGS AND EXHIBITIONS
1980 'Jittery Sense Block', Innuendo Studio (installation)/Toronto 1981 'Valentine Stollen', (street installation)/Toronto; 'The Moaning Wall', (studio installation for film)/Toronto 1982 'Across The Sky, Even With The Elbow, The Milky Is Drawn', The Rivoli (panel installation)/Toronto; A. V. Geschoss 'Interfilm', 1st International 8mm Film Festival/West Berlin 1983 'Gallop Exit To' (environment), the Funnel/Toronto; Forest City Gallery (film)/London; 'Films by Painters', the Funnel/Toronto; `ChromaLiving'/Toronto; 'Buffalo', 'Buffalo Hunting' (installations), The Rivoli/Toronto; 'New Toronto Filmmakers', The Funnel/Toronto
1984 `Chromalaffing', Grunwald Gallery/Toronto

SELECTED BIBLIOGRAPHY
"Rebecca Baird at the Funnel: Gallop Exit To", by Andy Fabo, Vanguard (September 1983)

RAPHAEL BENDAHAN

SELECTED FILMOGRAPHY
ROCHDALE COLLEGE (1970) Sound, 16mm, 21 minutes, B/W
BLACK AND WHITE (1971) Sound, 16mm, 8 minutes,
B/W L'ENNUI (1972) Sound, 16mm, 18 minutes, B/W
FINAL NEWS REPORT (1973) Sound, 16mm, 12 minutes, B/ W
LIGHT STUDY (1976), Sound, 16mm, 10 minutes, Colour
* LE JARDIN (DU PARADIS) THE GARDEN (1982), Sound, 16mm, 20 minutes, Colour
WHEN THE LIGHT GREY MAN CARRIES YOUR LUGGAGE (1983), Sound, 12 minutes, B/W
A HOLY WEEK IN SPAIN (1983), Sound, 16mm, 8 minutes, B/W

SELECTED SCREENINGS
1974 5th International Experimental Film Festival, Knokke Heist/Belgium
1975-82 Vancouver Art Gallery/Vancouver; Canadian Images Festival/Peterborough; The Funnel/Toronto; Cinema Parallel/ Montreal; Winnipeg Art Gallery/Manitoba
1983 Canadian Images Festival/Peterborough; The Funnel/ Toronto; Cinema Parallel/Montreal; Monticantini Super 8 Film Festival/Italy; Caracus Super 8 Film Festival/Venezuela; San Paulo Super 8 Film Festival/Brazil; Mercer Union Gallery/ Toronto.

SELECTED BIBLIOGRAPHY
"Photograph: The Human Sensibility in Transit (Drag
Queens)", by Gary Michael Dault, Saturday Night (January 1977)
"Choregraphies d'Artistes", by Stephen Schofield, Vanguard (March 1983)
"Choregraphie D'Artiste Visual" by D. Lessard, Parachute (April 1983)
"Bet-Hedger expands beyond filmmaking", by Judith Fitzgerald, Globe & Mail (July 21, 1983)
"Le Jardin (du Paradis) The Garden" by Peter Chapman, Opsis (Vol. 1, no . 1, 1984)

SELECTED AWARDS
1983 Fourth International Super 8 Film Festival of Quebec, Second Prize; Canadian National Exhibition, Toronto, Best Experimental Film

SELECTED WRITINGS
"Arnaud Maggs", Artist Review (1978)
"Photo Book Review", Books In Canada (1976)
"An Interview with Allan Robbe-Grillet", Funnel Newsletter, Vol. 3, no. 4 (1982)

DAVID BENNELL

SELECTED FILMOGRAPHY
ONE NIGHT IN THE TUNNEL (1977), Sound, 16mm, 18 minutes
*BROOKLYN BRIDGE (1979), Sound, 16mm, 18 minutes
*METAMORPHOSE (1981), Sound, Super 8, 12 minutes
*HADRIAN'S VILLA (1982), Sound, Super 8, 12 minutes
*CIRCLE LINE (1983), Sound, Super 8, 20 minutes

SELECTED SCREENINGS
1978 'University of Toronto Film Board Screening', Funnel/ Toronto
1979 Hart House Gallery/Toronto; Ann Arbour Cinema Guild/ Michigan; University of Toronto Film Board Screening, Funnel/ Toronto
1980 Hart House Gallery/Toronto; Chicago Filmmakers/Chicago) 1981 'Frontiers Series', PBS Broadcast/Buffalo; Zone Cinema/ Hamilton
1982 The Rivoli/Toronto; Niagara Artists' Centre/St. Catharines;, Arsenal Kino/West Berlin
1983 Pasadena Film Forum/Los Angeles; 'New Canadian Experimental Film', Canadian Images Festival/Peterborough; Art Gallery of Hamilton/Hamilton

DOUGLAS BERQUIST

SELECTED FILMOGRAPHY
* TECHNOLOGICALLY NATIVE (1983), (with Leila Sujir), 16mm, Sound, 13 minutes
ARRIVAL (1983), 16mm, Sound
I. A. M. , 16mm
SATELLITE SHADOW (1980), Video

SELECTED SCREENINGS (for Technologically Native)
1983 Off Centre Centre/Calgary; 'Semiotics & Art Panel'/ Calgary;
The Funnel/Toronto; CSIF/Calgary

SELECTED BIBLIOGRAPHY (for Technologically Native)
"Technologically Native; Research Document for a film", by L. Sujir and D. Berquist, Ne West (April 1983)
"Technologically Native", by Don Mabie, Vanguard (Sept. 1983) "The World Between Subject and Object", by Sarah Murphy, CSIF Film Video Journal (Summer 1983)
"Workshop Films as Mystifying as its Title", by Fred Haesaker, Calgary Herald (June 14, 1983)

DEBORAH CLARKIN

SELECTED FILMOGRAPHY
*WALKING ITALIANS (1980), Colour, Silent, 4 minutes, Super 8
*SIDES (1980), Colour, Silent, 5 minutes, Super 8
*DISCO PORNO (1982), Colour, Sound, 10 minutes, Super 8
*MONSTER (1982), Colour, Sound, 15 minutes, Super 8

SELECTED SCREENINGS
1981 OCA/Toronto; Concordia/Montreal; Open Space Gallery/ Victoria; Forest City Gallery/London; Zone Cinema/Hamilton; Art Gallery of Ontario/Toronto
1982 Pasadena Film Forum/Los Angeles; Europe; Open Eye Centre/Liverpool
1983 Rivoli Theatre/Toronto; The Funnel/Toronto

SELECTED BIBLIOGRAPHY
"Video Art Experiments Intrigue With Images", review by John Bentley Mays, Globe and Mail, (April 4, 1980)
"Magic, Witchcraft and Film", Anna Gronau, Parallelogramme, Vol. 8, No. 2

IAN COCHRANE

SELECTED BIBLIOGRAPHY
*AGE OLD AND INSTANTANEOUS HOURS (1982), Colour, Silent, 6 minutes, Super 8
I GO TO ALPHA (1980), B/W, Silent, 3 minutes, Super 8 BIG ROOM (1983), Colour & B/W, Silent, 5 minutes, Super 8

SELECTED SCREENINGS 1981 The Funnel/Toronto 1982 The Funnel/Toronto
1984 Hart House (University of Toronto)/Toronto

MARTHA DAVIS

SELECTED FILMOGRAPHY
ORANGES (1977), Colour, Silent, Super 8, 6 minutes
MEN WITHOUT BEARDS QUARTET (1978), Colour, Silent, Super 8, 20 minutes
APPLYING AND REMOVING (1979), Colour, Silent, Super 8, 20 minutes
*SUBWAY (1979), Colour, Sound, Super 8, 20 minutes
*INTRODUCING ELWY (1979), Colour, Silent, Super 8, 5 minutes
*A BALL IN CALIFORNIA (1980), Colour, Sound, Super 8, 17 minutes
*IN THE ALCOVE, AT THE PLACE (1980-81), Colour, Sound, Super 8, 94 minutes
UP AND AWAY (in progress, 60 minutes)
PATH (in progress, 100 minutes)

SELECTED SCREENINGS AND EXHIBITIONS
1980 Toronto International Super 8 Film Festival/Toronto; 'Book and Sequence Show', Gallery 44/Toronto
1981 Hart House Film Club/Toronto; Forest City Gallery/ London; The Funnel/Toronto; London Filmmakers' Co-op/ England
1982 Innis College/Toronto; Toronto International Super 8 Festival/Toronto; Zone Cinema/Hamilton; The Funnel/Toronto 1983 Forest City Gallery/London

SELECTED BIBLIOGRAPHY
"Super 8 Diary Is Just Super", by Michael Corican, Excaliber (Nov. 19, 1981)
"In The Alcove a film about itselr', by Daniel Cusse, The Newspaper (Jan. 20, 1982)
U of T Filmmaker's Diary of Discovery", by Michael Farlam, The Varisty (Jan. 22, 1982)
"In the Alcove At The Place ... ", by Catharine Russell, Innis Herald, Vol. XV, No. 5 (Jan. 1982)

JUDITH DOYLE

SELECTED FILMOGRAPHY
*PRIVATE PROPERTY/PUBLIC HISTORY (1982), Super 8, Colour, Sound, 16.30 minutes
*LAUNCH (1982), Super 8, Colour, Sound, 19 minutes

SELECTED PERFORMANCE WORKS
RATE OF DESCENT (1982)
TRANSCRIPT (1981)

SELECTED SCREENINGS AND PRESENTATIONS
1983 S. L. Simpson Gallery/Toronto; Optica Gallery/Montreal; The Theatre Centre/Toronto
1982 The Funnel/Toronto (as part of Language and
Representation, an A Space series curated by Philip Monk); Eye Level Gallery/Halifax; Art Gallery of Ontario (Artists with their Work Extension Program/Toronto; The Western Front/ Vancouver; Open Space (Filmmakers with their Work series)/ Victoria
Note: PRIVATE PROPERTY/PUBLIC HISTORY was sold for broadcast on P. B. S. (Channel 17 Buffalo) in Winter 82-83 as part of the Frontiers series, curated by Lynn Corcoran, Media Studies, Buffalo.

SELECTED BIBLIOGRAPHY
"Gift to Last: A Cinematic Time Capsule", John Bentley Mays, Globe and Mail (Feb. 1, 1982)
"Content as Form/Film as Comment", Jennifer Oille, Vanguard (May 1982)
"Language and Representation", (catalogue essay), Philip Monk (1982).
"'Descent' by Doyle brief but impressive", John B. Mays, Globe & Mail, (Jan. 29, 1983)
"The Imbalance of Good and Evil", by Jennifer Oille, The Canadian Forum, Vol. LXIII, No. 727, April 1983.

SELECTED WRITING
"Transcript", Top Stories, Hallwalls, New York, (1981). "Telefacsimile", Only Paper Today, Volume 5 Number 10 (1978).
"Robotics, A Case Study", Impulse, Vol. 7 Number 1 (1979). "Free Speech Catalogue", P. A. I. F. S. , N. Y. C. (1979). "Model for a Prose Algorithm, Only Paper Today, Vol. 6 Number 8, (1979).
"Conversational Machines, Impulse, Vol. 8, Number 2, (1980) "Envy", Impulse, Vol. 8, Number 3, (1980)
"Facsimile Hardware", Parallelogramme Retrospective II, (Summer 1980).
"Fading", Vol. 9 Number I, (1981)
"A Chronology of Censorship in Ontario", Impulse, Vol. 9 Number 2 (1981).
"Appropriation of Suffering", Impulse, Vol. 10 Number 1 (Summer 1982).
"Nuclear Strategy/Political Will", (Editor), Impulse, ibid. "Rate of Descent", Impulse, (Spring 1983).
"Nicaragua, A Report", Vanguard, (Sept. 1983).
"9 Texts", (A Book of 9 Texts), YYZ Gallery, (Sept. 1983). "Culture of Nicaragua", issue, Impulse (Spring 1984), (Edited with an introduction by Judith Doyle).

PETER DUDAR

SELECTED FILMOGRAPHY
TWO PASSERSBY ON FOOT (1975), Super 8, B/W, Silent, 28 minutes
RUNNING IN 0 AND R (1975-76), B/W, Sound, 16mm, 21 minutes
EDITING ON THE RUN (1976), Colour, Sound, 16mm, 26 minutes
CRASH POINTS (1976-77), B/W, 16mm, Sound, 19 minutes CRASH POINTS 2 (1977), (2 screen projection), B/W, Sound, 16mm, 11 minutes
PENETRATED (1977), (2 screen projection), Colour, 16mm, 131/2 minutes
TWO DEADLY WOMEN (1978), (2 screen projection), Colour, Sound, 16mm, 15 minutes
THE DOGS OF DANCE (1978-79), Colour, Sound, 16mm, 19 minutes
*DP (1982), Colour, Sound, 16mm, 17 minutes
*TRANSYLVANIA 1917 (in progress), Colour, Sound, 16mm, 45 minutes

SELECTED SCREENINGS AND EXHIBITIONS
1971 Carmen Lamanna Gallery (visual arts)/Toronto
1973 A Space (performance)/Toronto
1976 CEAC (multi-media)/Toronto; Internationaler Kunstmarkt (multi media)/Dusseldorf, Germany; Internationaal Cultureel Centrum (multimedia)/Antwerp, Belgium; Museum of Modern Art, Palazzo Dei Diamanti (multimedia)/Ferrars, Italy; Cavallino Gallery (multi media)/Venice, Italy; Salvatore Ala Gallery (multi media)/Milan, Italy; Anthology Film Archives (film)/New York; Harbourfront (film)/Toronto
1977 Artists Space (multi media)/New York; Art Gallery of Ontario (multi media)/Toronto; London Filmmakers' Co-op (film)/England
1978 Musee des Beaux Arts de Montreal 'Festival de Performances' (multi media)/Montreal; Galerie Nachst St. Stephan (multi-media)/Vienna, Austria; 'Performance Art Festival', Beursschouberg/Brussels, Belgium; The Funnel (film)/ Toronto
1979 Le Cinema Parallele (film)/Montreal; "Experienze di Contestualita" SOciale Dell 'Area Post-Artistica", Centro Experimenta/Naples, Italy
1980 Centrum Srodowisk Artystycznych (multi media)/Warsaw, Poland; Western Front (multi media)/Vancouver; The Funnel (film)/Toronto
1982 Grierson Film Seminar (film & speaker)/Niagara on the Lake, Ontario
1983 The Frontier (film broadcast), WNED-TV/Buffalo; Canadian Images Festival (film)/Peterborough; Ann Arbor Film Festival (film)/Michigan

BRUCE ELDER

SELECTED FILMOGRAPHY
BREATH/LIGHT/BIRTH (1975), B/W, Sound, 16mm, 6 minutes
*SHE IS AWAY (1975), Colour, Sound, 16mm, 13.5 minutes
*PERMUTATIONS AND COMBINATIONS (1976), Colour, Sound, 16mm, 8 minutes
UNREMITTING TENDERNESS (1977), Colour, Sound,
16mm, 13 minutes
LOOK! WE HAVE COME THROUGH! (1978), B/W, Sound, 16mm, 12 minutes
THE ART OF WORLDLY WISDOM (1979), Colour, Sound, 16mm, 55 minutes
TRACE (1980), Colour, Sound, 16mm, 1 minute
SWEET LOVE REMEMBERED (1980), Colour, Sound,
16mm, 14 minutes
1857 (FOOLS GOLD) (1981), Colour, Sound, 16mm, 25 minutes
ILLUMINATED TEXTS (1983), Colour, Sound, 16mm, 180 minutes

SELECTED BIBLIOGRAPHY
"Unremitting Tenderness" and "Look! We Have Come Through!", by Joyce Nelson, Cinema Canada, No. 47 (June 1978)
"Film, Poetry Reading Spark Artsevent", by Michael Quigley, Hamilton Spectator (Sept. 29, 1979), (review of "The Art of Worldly Wisdom")
"Confronting Man's Mortality", by Linda Gross, Los Angeles Times (June 22, 1981), (review of "The Art of Worldly Wisdom")
"Business as Unusual", by Seth Feldman, Cinema Canada No. 81 (February 1982)
"Bruce Elder's Fool's Gold: The Experience of Meaning", by Carole Zucker, Cine-Tracts No. 17 (Winter 1982/83) "Illuminated Texts", by Seth Feldman, Cinema Canada No. 92 (January 1983)
"Elder's Experiment", by Stephen Dale, NOW Magazine (Jan 20-26, 1983), (review of "Illuminated Texts")
"Film Leaves a Trail of Devastated Viewers", by Barta Testa, The
Globe Mail (Jan. 21, 1983), (review of "Illuminated Texts")

SELECTED WRITINGS
"On the Candid Eye Movement", Feldman & Nelson, eds., Canadian Film Reader
"A Few Remarks on Current Tendencies in Synthesized Music", Electronotes No. 91
"The Cinema of Illustration, The Cinema of Presentation, The Cinema of Construction", Cine-Tracts No. 6
"Visual Arts: Snow Seen", review article of Cornwall 'Snow Seen', Canadian Forum Vol LX, No. 700
"The Persistence of Vision: On Jack Chambers' Paintings and Films", Descant No. 34/35/36
"Redefining Experimental Film: Postmodernist Practice in Canada", Parachute No. 27 (Summer 1982)
"Introduction" (on varying concepts of the self in the history of avant-garde cinema), Cine-Tracts No. 17
"Michael Snow's 'So Is This"', Parachute No. 29 (Winter 1982/ 83
"Image: Representation and Object: The Photographic Image in Canadian Experimental Film", OKanada (Catalogue, Akademie der Kunste, Berlin 1982) trans. Cinema Canada , special publication Film & The Future (June 1983) "Owen Land", review, Parachute No. 30 (Spring 1983)

FAST WURMS

SELECTED FILMOGRAPHY
* ZIG ZAG (1980), Colour, Sound, Super 8, 7 minutes CHINO CHU CHU (1980), Colour, Sound, Super 8, 18 minutes
* SUICIDE RE-ENTRY (1980), Colour, Sound, Super 8, 18 minutes
* GONE FISHING/BRIOCHE DU CAREME (1980), Colour, Sound, Super 8, 10 minutes
* UNIVERSAL COLOUR SYSTEMS (1980), Colour, Sound, Super 8, 18 minutes
A FEW NOTES ON ERADICATING THE STAR SYSTEM IN AMERICAN CINEMA (1980), Colour, Sound, Super 8, minutes
VANGO! EST TU GAUGIN? (1981), Colour, Sound, Super 8, 30 minutes
I FEARED I'D BE THE MAIN COURSE (1981), Colour, Sound, Super 8, 6 minutes
POLYMER RABBIT LAUNCH (1981), Colour, Sound, Super 8, 13 minutes
* TRIGGERS & SCANNERS (1981), Colour, Sound, Super 8, 17 minutes
FAUVES GET LAND LEGS (1982), Colour, Sound, Super 8, minutes
T-BONE BANK (1983), Colour & B/W, Sound, Super 8, minutes

SELECTED SCREENINGS AND EXHIBITIONS
1980 The Cabana Lounge/Toronto; Splash Gallery/Ottawa
1981 Open Space Gallery/Victoria; The Funnel/Toronto; London Filmmakers' Co-op/England; Stichting Logos/Belgium; Ontario College of Art/Toronto
1982 The Rivoli/Toronto; Metro Media/Vancouver; The Cameron Tavern/Toronto; Lunapark/West Berlin; Institut Unzeit/West Berlin; Aorta/Amsterdam; Canada House/London; Chapter Art Centre/Wales; The Funnel (installation)/Toronto 1983 The Rivoli/Toronto; 'Snow-She-Bones', Ydessa Gallery/ Toronto

SELECTED BIBLIOGRAPHY
"Splash showcases off-beat film", The Citizen (July 17, 1981) "Making New Waves", Today Magazine (May 16, 1982) "Wurms video appetizer", Globe & Mail (July 28, 1982) "Rough Cut/Material Transformation", by Jennifer Oille, Vanguard (Oct/Nov 1982)
"Fast Wurms 'Snow-She-Bones', Ydessa Gallery", by Diana Nemiroff, Vanguard (Sept. 1983)

MIKKI FONTANA

SELECTED FILMOGRAPHY
COURTS OF CHAOS, (1978), Video, Colour, Sound, Co-Produced with Ray Gallon
*GODZILLA VS THE CN TOWER (1981), Colour, Sound, 8 minutes, Super 8
*MY OWN WESTERN (1983), Colour, Sound, 6-10 minutes, 16mm
MONSTER MASH ((1983) B & W, Regular 8, Sound cassette, 24 minutes
YELLOWKNIFE: NIGHT IN CHINATOWN (1983), Colour, Sound, 20 minutes, Super 8, Work in progress
FOREST CITY; P. A. , Super 8, 10 minutes, Colour & B/W, Work in progress
*42ND ST. -5TH AVE. , Super 8, 3 minutes, Part of Launch 5
CHINATOWN, NYC, 6 minutes, Super 8, Colour, Silent

SELECTED SCREENINGS
1982 Quebec City (with Jim Anderson); Berlin, Nov. 30-Dec. 16 1983 Kitchener Waterloo Art Gallery (March); June

ELDON GARNET

SELECTED FILMOGRAPHY
PICTURES (1967 L'HEURE D'OEUF (1974)
ENCLOSURE (1975) AIRSWIM (1976)
* EINSTEIN'S JOKE (1978), Colour, Sound, Super 8, 20
minutes
* PORTRAITS (1977- ), (a continuing project), Colour, Sound, Super 8, 60 minutes
WINNING (1979), (with Ross McLaren)

RIC GREENWALD

SELECTED FILMOGRAPHY
12/1/74, 1974, Colour, Silent, 4 minutes, 16mm
LEROY 13, (1975), Colour, Silent, 3 minutes
ENTROPY (1975), Colour, Silent, 21/2 minutes
WEDDING (1975), Colour, Silent, 4 minutes
UNTITLED (Ron and Pat's), (1975), Colour, Silent, 30 seconds
THE KID IS TOUGH (1976), B/W, Silent, 21/2 minutes
ANDRE'S BIG TRIP (1976), Colour, Sound, 3'/2 minutes
COLOUR EXERCISE (1976-77), Colour, Silent, 31/2 minutes
THE BIG BARGAIN COMEDY 4 MINUTES (1977), Colour, Silent, 4 minutes
UNTITLED (Hollywood) (1977), Colour, Sound, 30 seconds
A HISTORY: 1956-57 (1977-78), Colour, Sound, 2'/2 minutes

ESCAPE (1976-78), Colour, Silent/Sound, 8 minutes
UNTITLED (Man on Train) (1967-78), Colour, Silent, 45 seconds
UNTITLED (Yost) (1978), Colour, Silent, 11/2 minutes
RHYTHM (1978), Colour, Silent, 2 minutes
ANTHEM (1979), Film/Performance, 3 minutes
*LAND (1976-79), Colour, Sound, 10 minutes
UNTITLED (Story) (1979), B/W, Silent, 2 minutes'
*WWII: I WASN'T THERE (1979), B/W, Sound, 1 minute
*A WEEK OF NANCY (1980), Colour & B/W, Silent, 2 minutes
THE VICAR (1979), B/W, Silent, 3 minutes
JIMI and the INCAS (1979), Film/Performance, 4 minutes
*TABULA RASA (1980), Colour, Silent, 30 minutes

SELECTED SCREENINGS
1979 Ann Arbor 16mm Film Festival/Ann Arbor, Michigan;The Funnel/Toronto; Cinematheque Francaise/Paris, France; Chicago Filmmakers/Chicago, Ill.
1980 Manhattan Cable Television/NYC; Short Show, Mudd Club/NYC; Times Square Show/NYC
1983 The Funnel/Toronto

VINCENT GRENIER

SELECTED FILMOGRAPHY
WINDOW CHIMES PART ONE (1974), Colour, Sound, 27 minutes
SHADE/TOILE (1975), Colour, Silent, 16 minutes
CATCH (1975), Colour, Silent, 5 minutes
LIGHT SHAFT/PUIT DE LUMIERE (1975), B/W, Silent, 8 minutes
WORLD IN FOCUS (1976), Colour, Silent, 20 minutes
WHILE REVOLVED (1976), Colour, Silent, 12 minutes
TRIANGLE (1976), Colour, Silent, 10 minutes
X (1976), B/W, Silent, 9 minutes
INTERIEUR/INTERIORS (to A. K. ), (1978), B/W, Silent, 15 minutes
CLOSER OUTSIDE (1979-81), Colour, Silent, 10 minutes
ARCHITECTURE (1979-81), B/W, Silent, 8 minutes
D'APRES MEG (1982), Colour, Sound, 19 minutes

SELECTED SCREENINGS
1976 Millenium/NYC; San Francisco Museum of Art; Art Gallery of Ontario/Toronto
1977 Canyon Cinematheque/San Francisco; Musee d'Art Contemporain/Montreal
1978 Whitney Museum/NYC; McGill University/Montreal 1979 Walker Art Center/Minneapolis, Minn.; Media Study, Albright Knox Art Gallery/Buffalo
1980 The Funnel/Toronto; Kinemathek E. V. /Berlin; 11th Biennale of Paris
1981 Cineprobe, Museum of Modern Art/NYC; Anthology Film Archive/NYC
1982 Collective For Living Cinema/NYC; University de Montreal/Montreal
1983 Universite Laval/Quebec

SELECTED BIBLIOGRAPHY
"Movie Journal", Jonas Mekas Soho Weekly News (Dec. 23,
1976)
"Vincent Grenier", Serge Berard, Parachute #10 (Spring 1978) "Four Films by Vincent Grenier", Jim Hoberman, Village Voice June 26, 1978)
"Vincent Grenier: Recent Work", Martha Haslanger, The Downtown Review (Winter 1979-80)
"An Instant of Representation in a film by Vincent Grenier", Graham Weinbren and Noll Brinckman, Millenium Film Journal, #7, 8, 9 (Winter 1981-81)
"Vincent Grenier", Michel Larouche, Parachute #31 (Summer 1983)

SELECTED WRITINGS
"Untitled", Parachute #2, Montreal (1976)
"On Films by Ernie Gehr, Alphonse Schilling, Hollis Frampton and George Pandorv", Idiolectics #1 (1976)
"On Films by Dan Eisenberg, Franklin Miller, Peter Gidal, and Jim Jennings, 10 Years of Living Cinema, (catalogue) NYC (1982)

ANNA GRONAU

SELECTED FILMOGRAPHY
*MAPLE LEAF UNDERSTORY (1978), 16mm
* IN-CAMERA SESSION (1979), Super 8
* WOUND CLOSE (1982), Super 8
* ARADIA (1982), Super 8
* REGARDS (1983), 16mm

SELECTED SCREENINGS 1978-84
1978 Cinema Parallele/Montreal
1979 Festival of Festivals/Toronto
Chicago Filmmakers; Art Gallery of Ontario/Toronto; Av'Geschoss/West Berlin; London Filmmakers' Co-op/England; The Rivoli/Toronto
1983 Womanfilm Festival/Quebec City; The Funnel/Toronto; Canadian Images Film Festival/Peterborough; Off-Centre Centre, Calgary/Alberta; Millennium Film Workshop/New York City; Zone Cinema/Hamilton; "The Frontier" Public
Broadcasting System/Buffalo, New York.

SELECTED BIBLIOGRAPHY
Review in Vanguard by Jennifer Oille (May 1983)

SELECTED PUBLICATIONS
"Snow Seen", review of Regina Cornwell in Funnel Newsletter (1980)
"Three Films by David Anderson", Funnel Newsletter (1980) "Two Buildings by Steven Niblock", Funnel Newsletter (1981) "Experimental Film: A Problem of Definitions, Parallelogramme Retrospective III (1979)
"Magic, Witchcraft and Film, Parallelogramme, Vo.. 8 No. 2 (1982)
"James Anderson, A Chronology of Work, Funnel Newsletter (1983)
"Independent Thinking: The Calgary Society of Independent Filmmakers, Cinema Canada (July 1983)
"Yukon Postcards by Blaine Allen", review in Vanguard, (Nov. 1983).
"Film Censorship in Ontario", chapter for upcoming book on censorship published by Book & Periodical Development Council (1984).
"Censorship: Caught in the Crossfire, Parallelogramme (March 1984).

ROBERT GUTTERIDGE

SELECTED FILMOGRAPHY
BEETHOVEN-MAN AND GENIUS (1970-75)
BREUGEL'S PEOPLE (1973)
WHAT ARE CONTOUR LINES? (1974)
PRESTO (1977)
AMBIENCE (1978)
CASSATION (1978)
* EPHEMERAL PERPETUITY (1979), Colour, Sound, 91/2 minutes, 16mm
*BY PASS (1979-80), Colour, Sound, 111/2 minutes, 16mm
*SALZBURG SKETCHES (1980)
LILLIAN (1981)

WORKS IN PROGRESS
SWISS MOVEMENT ALBUM
PASSING OVER
INFERNO
ESSE EST PERCIPI

BARBARA HAMMER

SELECTED FILMOGRAPHY
I WAS/I AM (1973), B/W, Sound, 16mm, 71/2 minutes
A GAY DAY (1973), Colour, Sound, 16mm, 3 minutes SISTERS! (1973), Colour, Sound, 16mm, 8 minutes
* DYKETACTICS (1974), Colour, Sound, 16mm, 4 minutes
* "X" (1974), Colour, Sound, 16mm, 8 minutes
* MENSES (1974), Colour, Sound, 16mm, 4 minutes
* PSYCHOSYNTHESIS (1975), Colour, Sound, 16mm, 8 minutes
MULTIPLE ORGASM (1975), Colour, Silent, 16mm, 8 minutes
MOON GODDESS (1976), (With Gloria Churchman), Colour, Sound, 16mm, 15 minutes
THE GREAT GODDESS (1977), B/W, Sound, 16mm, 28 minutes
DOUBLE STRENGTH (1978), B/W & Colour, Sound, 16mm, 16 minutes
AVAILABLE SPACE (1978), Colour, Sound, 16mm, 20 minutes
* SAPPHO (1979), Colour, Sound, 16mm, 7 minutes
* OUR TRIP (1980), Colour, Sound, 16mm, 4 minutes
* AREQUIPA (1981), Colour & B/W, Silent, 16mm, 10 minutes
* SYNC TOUCH (1981), Colour, Sound, 16mm, 10 minutes
* POOLS (1981), (With Barbara Klutinis), Colour, Sound, 16mm, 6 minutes
THE LESBOS FILM (1981), Colour, Sound, 16mm, 30 minutes
POND AND WATERFALL (1982), Colour, Silent, 16mm, 15 minutes
AUDIENCE (1983), B/W, Sound, 16mm, 33 minutes
STONE CIRCLES (1983), Colour & B/W, Sound, 10 minutes
NEW YORK LOFT (1983), Colour & B/W, Sound, 9 minutes
Note: All Hammer's films are available through the filmmaker at:
P. 0. Box 964, Cathedral Station, New York, N. Y. 10025

SELECTED SOLO SCREENINGS AND EXHIBITIONS
1979 A Space/Toronto; Powerhouse Gallery/Montreal; The Woman's Building/Los Angeles; Queen's University/Kingston; Northwest Artists' Association/Portland; George Washington University/St. Louis
1980 The Glyptotek Museum/Copenhagen; Utica College/New York; U of Oregon/Eugene; U of Illinois/Champaigne; U of Indiana/Bloomington
1981 The Cinemateque/San Francisco; Pasadena Film Forum/ Los Angeles; San Jose Museum of Modern Art; First
International Feminist Film Conference/Amsterdam; U of Bremen/West Germany; U of Hamburg/West Germany 1982 U of Utah/Salt Lake City; The Arsenal/West Berlin; Encounter Cinema/UCLA; Canadian Images Festival/ Peterborough; The Funnel/Toronto; The Cultural House, Grenoble/France; Toulouse Cinema/France; London Filmmakers' Co-op/England; Millenium/New York; Cornell Cinema/Ithica; Media Study Centre/Buffalo
1983 S. U. N. Y. /Binghampton; U of Ohio/Cincinnati; The Cinemateque/San Francisco; Hamilton College, Clinton/New York; Womens' Cultural Festival/Toronto

SELECTED BIBLIOGRAPHY
"The National Women's Film Circuit",
by Elizabeth Brunazzi, Washington Review Vol. IV, No. 1
"Hammer's Waking Images", by Elizabeth Lay, Plexus (June 1978)
"Performance in Skylight", by Chris Orr, Plexus (Nov 1977)
"Second National Women's Film Festival", Off Our Backs Vol. VIII, No. 5 (May 1978)
"Women in Focus", Branching Out, Canadian Magazine for Women Vol VI, No. 1 (1979)
"Gay and the Art of Motion Picture Making",
by P. Gregory Springer, The Advocate (Feb. 7, 1980)
"Performance: Women in Motion", by Mary Stofflet, Artweek (Jan. 10, 1981)
"Films of Barbara Hammer, Counter-Currencies of a Lesbian Iconography",
by Jacquelyn Zita, Jump Cut No. 24/25 (March 1981)
"Barbara Hammer", by Aimee Leduc, The Body Politic (July/ August 1982)
"Varda Burstyn on Sexuality and Pornography", by Lisa Steele, Fuse Vol 6, No. 1 & 2
"Art and Censorship", by Varda Burstyn, Fuse Vol. 7, No. 3 (Sept/Oct 1983)
Hvedekorn No. 4 (1980), (This issue commemorates the art work presented at the Glyptotek Museum during the Alternative Conference to the U. N. Conference on Women) Catalogue 80 Langton Street (Catalogue) June 1979-April 1980
"Women and Film: Both Sides of the Camera", by E. Ann Kaplan, pub. Metheun (1983)
"The Amazing Decade, Women and Performance Art in America, 1979-1980", ed. Moira Roth, pub. Astro Artz (1983)

FREIDER HOCHHEIM

SELECTED FILMOGRAPHY
* PLURALITY OF VIBRATORY CIRCUMSTANCES (1976), B/W, Sound, 10 minutes, 16mm
HOTLINE (1976), Colour, Silent, 10 minutes, 16mm
* ACCUMULATIVE DISTINCTIONS EXTENDING A FALSE UTILITY (1977), B/W, Sound, 8 minutes, 16mm
THERE WAS A PHILOSOPHER WITH DOUBLE VISION (1978), Colour, Silent, 12 minutes

SELECTED SCREENINGS
1976 Canadian Film Awards/Toronto
1977 Chicago International Film Festival/Chicago
1978 Pompidou Centre/France
1979 Cinema Parallele/Montreal; S. W. A. M. P. /Texas; Detroit Film Project/Detroit; Canadian Images/Peterborough; Ann Arbour Cinema Guild/Ann Arbour, Michigan; The Funnel/ Toronto
Waterloo Gallery/Kitchener; Canadian Images Festival/ Peterborough, Off Centre Centre Gallery/Calgary; Open Space Gallery/Victoria; OAAG Symposium/Toronto; The Air Gallery/ London, England

PATRICK JENKINS

SELECTED FILMOGRAPHY
* WEDDING BEFORE ME (1976), Colour, Sound, 7 minutes, 16mm
G (1977), Colour, Sound, 3.5 minutes, 16mm
FLUSTER (1978), B/W, Silent, 7 minutes, 16mm
A SENSE OF SPATIAL ORGANIZATION (1980), Colour, Silent, 16mm
* RUSE (1980), Colour, Sound, 7 minutes, 16mm
* SHADOWPLAY (1981), B/W, Sound, 13 minutes, 16mm
* SIGN LANGUAGE (1982), B/W, Sound, 10 minutes, 16mm

SELECTED SCREENINGS
1981 Art Gallery of Ontario/Toronto (Group Show); Broadcast, The Frontier, WNED TV/Buffalo
1982 National Gallery of Canada/Ottawa (Group Show); O'KANADA, Akademie Der Kunste/Berlin, West Germany, (Film Section); Art Toronto '82/Toronto (Film Section, Group Show); Institute of Contemporary Arts/London, England (Group Show); Studio 200/Tokyo, Japan (Group Show); Pasadena Filmforum/Los Angeles (Solo Show); Millenium Film Workshop/New York City (Solo Show); The Gallery/Stratford (Solo Show); Visiting Filmmaker at Simon Fraser University, University of Victoria and University of Regina
1983 Mendel Art Gallery/Saskatoon, Saskatchewan (Solo Show); Tyneside Cinema/Newcastle-Upon-Tyne, England (Solo Show); National Film Theatre/London, England (Group Show); Oakville Centennial Art Gallery/Oakville (Solo Show); Broadcast 'The Frontier', WNED TV/Buffalo

SELECTED BIBLIOGRAPHY
"Patrick Jenkins Let's You See The Earth's Invisible Forces", review by John Bentley Mays, Globe and Mail (March 18, 1980) "Patrick Jenkins/Films", review by Martha Fleming, Vanguard Magazine (Summer 1981)
"Report From Toronto", article by Kathryn Elder, Millenium Film Journal No. 10-11 (Fall-Winter 1982)

NICOLAS JENKINS

SELECTED FILMOGRAPHY
KATHY DYES HER HAIR (BLACK) (1980, Super 8
FETE (1981), Super 8
*POMEGRANITE CHIC (1982), Colour, Sound, 9 1/2 minutes, Super 8
THE BRIDGE (1983), Colour, Video, 15 minutes

SELECTED SCREENINGS
1981 Mr. Toronto Show, Rogers Cable TV/Toronto
1982 Concordia College/Montreal; The Rivoli/Toronto; The Funnel/Toronto; Toronto Super 8 Film Festival/Toronto 1983 Masonic Temple (GCDC Dance)/Toronto; Kitchener

ROBIN LEE

SELECTED FILMOGRAPHY
* AN UNRIGOROUS TREATISE ON BLUE (1980), Colour, Sound, 18 minutes, Super 8
ALCHEMY #1, Colour, Sound, 10 minutes, Super 8
* SONG (1981), Colour, Silent, 10 minutes, Super 8
* TRAVEL SONG (1982), B/W, Sound, 28 minutes, 16mm
* UNTITLED (1983), B/W and Colour, Sound, 4 minutes, 16mm (Found footage)

SELECTED SCREENINGS
1981 Ann Arbour Film Festival (Award Winner)/Michigan; Boston Film & Video Foundation/Boston
1982 Ed Video/Guelph
1983 Kitchener Art Gallery, "New Narrative"/Kitchener; WNED Buffalo, The Frontier Broadcast, April
1984 The Funnel (solo)/Toronto; Point of View (cablecast)/ Toronto

SELECTED BIBLIOGRAPHY
1983 February-The Frontier/Media Study Buffalo (catalogue)

KEITH LOCK

SELECTED FILMOGRAPHY
* BASE TRANQUILITY (1969), 16mm, Colour, 7 minutes (with Jim Anderson)
* TOUCHED (1970), 16mm, B/W, 12 minutes (with Jim Anderson)
* WORK BIKE AND EAT (1971), 16mm, B/W, 45 minutes (with Jim Anderson)
* EVERYTHING EVERYWHERE AGAIN ALIVE (1975), 16mm, Colour, 75 minutes
PARADE (1977), 16mm, Colour, 5 minutes
GOING (1979), 16mm, Colour, 5 minutes

SELECTED SCREENINGS
Ann Arbor Film Festival, Ann Arbour/Michigan; Art Gallery of Ontario/Toronto; Canadian Images Festival/Peterborough; Cinema Parallele/Montreal; Festival of Festivals/Toronto; The Funnel/Toronto; Pacific Cinemateque/Vancouver; WNED BuffaloN. Y. , "The Frontier" series

ROSE LOWDER

SELECTED FILMOGRAPHY
ROULEMENT, ROUERIE, AUBAGE (1978), 16mm, Silent, 15 minutes
PARCELLE (1979), 16mm, Silent, 3 minutes
COULEURS MECANIQUES (1979), 16mm, Silent, 16 minutes
RUE DES TEINTURIERS (1979), 16mm, Silent, 31 minutes
* CHAMP PROVENCAL (1979), 16mm, Silent, 9 minutes
RETOUR D'UN REPERE (1979), 16mm, Silent, 19 minutes, (single projector version)
RETOUR D'UN REPERE (1979), 16mm, Silent, 19 minutes, (two copies to be projected superimposed simultaneously)
RAPPROCHEMENTS (1979), 16mm, Silent, 23 minutes
CERTAINES OBSERVATIONS (1979), 16mm, Silent, 14 minutes, (two copies for simultaneous superimposed projection)
RETOUR D'UN REPERRE COMPOSE (1981), 16mm, Silent, 59 minutes

SELECTED SCREENINGS
London Filmmakers' Co-op/England; Cinexperimental/ Avignon, France; Millenium Film Workshop/New York; Collective For Living Cinema/New York; The Funnel/Toronto; Pasadena Filmforum/Los Angeles; The Cinematheque/San Francisco; Festival du Cinema Francais 1980/Grenoble; 'Thirty Years of Experimental Cinema in France (1950-1980)', Touring package originated by Centre Pompidou/Paris, France.

TOBY MacLENNAN

SELECTED FILMOGRAPHY
* ABSENCE OF A HOLE (1981), B/W, Sound, 16mm, 22 minutes

SELECTED SCREENINGS AND EXHIBITIONS
1981 'Apartment', A Space Gallery/Toronto; Concordia University/Montreal
1982 P. S. 1 (installation/performance)/New York City; Centre for InterAmerican Relations/New York City
1983 Canadian Images Festival/Peterborough; Ann Arbor Film Festival/Michigan; St. Marks Poetry Centre/New York City; Optica Gallery (installtion)/Montreal; Rutgers University/New Jersey

SELECTED BIBLIOGRAPHY
"Toby MacLennan, Writing and Rituals", Criteria Vol. 1, No. 4 (Sept. 1975)
"Avis Lang Rosenberg. Toby Chapman MacLennan, 10 May", Vanguard (August 1976)
"Modes of Representational Art", Artscanada No. 210-211 (Dec. Jan. 1976/77)
"Singing to Stars with Sculpture", by Victoria Stevens, Toronto Star (Sept. 23, 1977)
"The 10th International Sculpture Conference", by Jack Burnham, The New Art Examiner (July 1978)
"In Search of Illumination", by Sally Banes, Village Voice (May 11, 1982)

SELECTED WRITINGS
"Singing the Stars", pub. Coach House Press

PAUL McGOWAN

SELECTED FILMOGRAPHY
* FARMSKIPOME (1975), B/W, Silent, 21/2 minutes, Super 8 * EGG YOKE (1976), Colour, Sound, 41/2 minutes, 16mm * LOOSE ENDS (1977), B/W, Sound, 13 minutes, 16mm NASHVILLE CATS (1980), Colour, Sound, 26 minutes, Super 8
* STEVE AND BOB (1980), Colour, Sound, 61/2 minutes, 16mm * WHY DO YOU WANT TO BE ALIVE? (1981), Colour, Sound, 30 minutes, Super 8

SELECTED SCREENINGS
1982 Pittsburg Filmmakers/Pittsburg; The Funnel/Toronto
1983 Toronto Super 8 Festival/Toronto; PBS Buffalo (Broadcast) Frontier Series; The Funnel/Toronto
1984 Plug In Gallery/Winnipeg

SELECTED BIBLIOGRAPHY
"The Frontier"/Media Study Buffalo, February 1983 (catalogue)

ROSS McLAREN

SELECTED FILMOGRAPHY
* WEATHER BUILDING (1976), Colour, Sound, 16mm and S8, 10 minutes, 15 seconds
* I. E. (1977), Colour, Silent, 16mm, 14 minutes 45 seconds CRASH 'N' BURN (1977), B/W, Sound, 16mm, 27 minutes 45 seconds
* SUMMER CAMP (1978), B/W, Sound, 16mm, 60 minutes
* JANUARY 17, 1979 (1979), Colour, Sound, 16mm, 4 minutes 40 seconds
* 9X12 (1982), B/W, Silent, 16mm, 1 minute 30 seconds
* SEX WITHOUT GLASSES (1983), Colour, Sound, 16mm, 12 minutes 30 seconds
WINNING (With Eldon Garnet), (1979), Colour, Sound, Super 8, 60 minutes
Numerous works in Super 8
Films by Ross McLaren are included in the permanent collections of: The Art Gallery of Ontario; American Federation of Arts; The Arts Council of Great Britain; the National Gallery of Canada; and the National Archives in Ottawa.

SELECTED SCREENINGS
1980 Cinema Parallele/Montreal; The Funnel/Toronto; film included in Canadian Experimental Film in the Seventies, toured United States and Great Britain
1981 Vancouver Art Gallery/Vancouver; State University of New York at Binghampton; Media Study/Buffalo
1982 XII Biennale de Paris/France; Millennium/New York City; Tokyo and Sapphoro/Japan
1983 Collective for Living Cinema/New York City; Art Gallery of Ontario/Toronto; Nova Scotia College of Art and Design/Halifax 1979-present Participant in Artists With Their Work organized by the Art Gallery of Ontario. Screenings at various centres in Ontario through this programme.

SELECTED BIBLIOGRAPHY
"The Funnel", pamphlet by Blaine Allen, (1981) "Filming Buildings, Building Films", by Martha Fleming, Parachute (Winter, 1981)
"Magic, Witchcraft and Film", by Anna Gronau, Parallelogramme, Vol. 8, No. 2

MICHAELLE McLEAN

SELECTED FILMOGRAPHY
* MORNING BED-X (1979), Colour, Silent, Super 8mm, 3 minutes
* UNTITLED (0) (1980), Colour, Silent, 4 minutes
* 20:20 (1980), Colour, Silent, 20 seconds
* STILL LIFE (1981), Colour, Silent, 21/2 minutes
* UNTITLED (A) (1983), Colour, Sound, 11 minutes
* UNTITLED (1983), B/W, Sound, 5 minutes

SELECTED BIBLIOGRAPHY
"The Funnel", by Blaine Allan, catalogue National Film Theatre, Kingston (1981)
"The Frontier", catalogue, PBS & Media Study, Buffalo, (1981) "Six Artists: Two Points of View", catalogue introduction by David Burnett, Shell Canada Resources Limited (1982)
"An Interview with Michaelle McLean, February 1983", by Leila Sujir, CSIF Film Video Journal Vol 1, No. 1 (Summer 1983)

SELECTED SCREENINGS
1979 YYZ Gallery/Toronto; Detroit Film Project/Detroit; The Funnel/Toronto
1980 Media Study/Buffalo; Chicago Filmmakers/Chicago; Toronto Super 8 Festival/Toronto
1981 'Explorations in Super 8', Art Gallery of Ontario/Toronto; KAAI Gallery/Kingston; Open Space Gallery/Victoria; London Filmmakers' Co-op/England
1982 Millenium Film Workshop/New York; Paris Biennale/ France
1983 Open Space Gallery/Victoria; Calgary Society of
Independent Filmmakers/Calgary; Forest City Gallery/London; Collective For Living Cinema/New York

TELEVISION BROADCAST
`Frontiers Series', film and interview, PBS Buffalo (Oct 1981) `Frontiers Series', film and interview, PBS Buffalo (Spring 1984)

SANDRA MEIGS

SELECTED FILMOGRAPHY
THE ELEPHANT MAN (1975), Colour, Silent, 16mm
* A DENSE FOG (1977), (Element of large installation), Colour,
* THE PALE OMNIPRESENT PERSISTENCE (1978), Colour, Sound, Super 8, 15 minutes
* THE MAELSTROM (1980), Colour, Sound, Super 8, 20 minutes
* APHASIA: CAUGHT IN THE ACT (1981), Colour, Sound, Super 8, 4 minutes
* PURGATORIA: A DRINKINGBOUT (1981), Colour, Sound, 16mm & Super 8 prints, 11 minutes
SEMI WIND-UP BOUT (1982), Colour, Sound, Super 8, 3 minutes

SELECTED SCREENINGS AND EXHIBITIONS
1977 Eye Level Gallery (installation)/Halifax
1978 Vehicule Art Gallery (installation)/Montreal; Saw Gallery (installation)/Ottawa; Eye Level Gallery (installation)/Halifax 1980 112 Workshop/New York City; Anna Leonowen's Gallery (installation)/Halifax
1980 A Space (installation)/Toronto
1981 Centre for Art Tapes (lecture/screening)/Halifax 1982 Ydessa Gallery (installation)/Toronto
1983 The Funnel (lecture/screening)/Toronto

SELECTED BIBLIOGRAPHY
"A Harrowing Ride Through Sandra Meigs `Maelstrom'", by J.
B. Mays, Globe & Mail (April 12, 1980)
Lisa Balfour Bowen, Toronto Star (Jan. 16, 1982) J. B. Mays, Globe & Mail (Jan. 28, 1982) Jennifer Oille, Vanguard Magazine (March 1982) Corinne Mandel, Artmagazine (May/June/July 1982) Richard Rhodes, Parachute (Spring 1983)

SELECTED WRITINGS
Descant Vol. 14, No. 3 (Summer 1983)
"Heavens to Betsy", Catalogue, University of Lethbridge Art Gallery (1983)

MICHAEL MERRILL

SELECTED FILMOGRAPHY
* UNTAMED HOOVES (1974), B/W, Sound, 16mm
ALL THAT MEAT AND NO POTATOES (1973), 16mm, 5 minutes

SELECTED SCREENINGS AND EXHIBITIONS
1981 "Heads" (drawings), Funnel Gallery/Toronto
1982 Included in film tour of Europe; Solo show (paintings). Chromazone Gallery/Toronto; "Monumenta", YYZ Gallery/ Toronto
1983 The Funnel/Toronto; "Hearth" (painting), The Cameron Public House/Toronto; "Unaffiliated Artists", S. L. Simpson Gallery/Toronto

SELECTED BIBLIOGRAPHY
"Letter From Berlin", by Oliver Girling, Parachute #31 "Unaffiliated Artists", by John B. Mays, Vanguard (August 1983)
"Representational art back with vengeance", by Christopher Hume, Toronto Star (September 4, 1982)

SELECTED PUBLICATIONS
"Cows Crossing, Men Working", (with Stepehn Ellis), self published (1981)
"Birthday!", Impulse Magazine (1982)
"Chromatique", Identity Magazine (1982)
"Hare", Impressions Magazine (1983)

ADRIENNE MITCHELL

SELECTED FILMOGRAPHY
ARTISTE (1980), Colour, Sound, 16mm and 3/4" Video, 20 minutes
* BE MY LOVE (1981), B/W, Sound, 16mm and 3/4" Video, 18 minutes
KIND WHIP (1982), B/W, Silent, 16mm and 3/4" Video, 11 minutes
ROOFTOPS (1983), (with Natalie Olanick), Colour, Sound,
Super 8, 7 minutes
POTSDAMMER PLATZ (1983-84), (in progress), B/W,
16mm

SELECTED SCREENINGS
1980 The Funnel/Toronto 1981 The Funnel/Toronto
1982 Chromazone/Chromatique Gallery/Toronto
1983 The Funnel/Toronto

SUZANNE NAUGHTON

SELECTED FILMOGRAPHY
TOASTER (1976), Silent, 4 minutes, 16mm
AFTERNOON AT NEW ROSE (1978), Sound, 15 minutes, 16mm
* MONDO PUNK (1978), Colour, Sound, 6 minutes, 16mm

SELECTED SCREENINGS
1978 Ryerson Photo Arts/Toronto; Banff Film Festival (Honourable Mention)/Banff; Rock & Roll Retrospective, British Film Institute/England; The Funnel/Toronto
1979 Cinema Parallele/Montreal

SELECTED BIBLIOGRAPHY
"Judges Were Split on Punk Rock Film", by Louis B. Hobson Calgary Herald

STEPHEN NIBLOCK

SELECTED FILMOGRAPHY
TRANSLACHINS (1974), Colour, Silent, 10 minutes, Super 8 (archival not for rent)
* 1,2,3,4,5,6,7,8,9,10—A NEW FICTION (1980), Colour, Silent, 8 minutes, Super 8
* BUDDHA LAS VEGAS (1980), Colour, Silent, 5 minutes, Super 8
* LADY'S FACE, (1981), Colour & B/W, 10 minutes, Super 8 * THE MAGICIAN SEES (1982), (Film and performance), Colour, Sound, 25 minutes, Super 8
URBAN CAMERA (1982), Sound, 20 minutes, Super 8 THE BOY AND THE BIRD (1983), (film and performance), Colour, Sound, 25 minutes

SELECTED SCREENINGS
1977-81 Chicago Filmmakers/Chicago; London Filmmakers Coop/England; Stitching Logos/Belgium; The Funnel/Toronto; Boston Filmmakers Co-op/Boston, Mass.; Chromazone Chromatique/Toronto
1982 Paris Biennale/Paris; The Funnel/Toronto;
"OKromazone", Institut Unzeit/West Berlin; Arsenal Kino/ West Berlin; Canada House/England; Aorta/Amsterdam 1983 The Funnel/Toronto; The Mercury Theatre (film/ performance)/Toronto; Canadian Images Festival/Peterborough; Pittsburg Filmmakers/Pittsburg; "ChromaLiving"/Toronto

SELECTED BIBLIOGRAPHY
"Films and Performance by Stephen Niblock", by Peter Chapman, Funnel Newsletter Vol. 3 No. 4 (Spring)
"Visions", edited by Robert Bringhurst, Geoffrey James, Russell Keziere, Doris Shadbolt, published by Douglas & McIntyre (history book)

MIDI ONODERA

SELECTED FILMOGRAPHY
" THE BIRD THAT CHIRPED ON BATHURST ST. (1981), B/ W, Sound, 3 1/2 minutes, 16mm
* ENDOCRINE (1983), Colour, Sound, 15 minutes, Super 8
* HOME WAS NEVER LIKE THIS (1983), B/W, Sound, 5 minutes, 16mm
IDIOTS DELIGHT (1983), B/W, Sound, 16mm, 5 minutes

SELECTED SCREENINGS
1982 Concordia University/Montreal
1983 Forest City Gallery/London; Canadian Images Festival/ Peterborough; The Funnel/Toronto; Women's Cultural Building (Bloor Cinema)/Toronto; Mercer Union/Toronto; Women In Focus/Vancouver

SELECTED BIBLIOGRAPHY
"Art Show Goes Beyond Gay And Peace Themes", review by Stephen Brunt, The Globe & Mail (July 2, 1983)
"Interview", Pink Ink Volume 1/Issue 2 (August 1983)

SELECTED WRITINGS
Fireweed, Issue 13 (Sept. 1982)
Incite Magazine (formerly Image Nation) , Vol. 1/Issue 1 (July 1983)
Pink Ink, Vol. 1/Issue 2 (August 1983)
Fuse Magazine, Vol. 7, no. 4 (Nov-Dec 1983)

JOHN PORTER

SELECTED FILMOGRAPHY Super 8 Films. (P) = Performance.
1967 SANDBOX, 3 minutes;
1972 TORONTO ROCK GROUPS, 17 minutes;
1974 BLUES FESTIVAL, 3 minutes; BASEBALL, 53 minutes;
BUS ROUTE, 14 minutes; SOAP BOX DERBY, 20 minutes;
CINEFUGE 1, 3 minutes; SANTA CLAUS PARADE, 10 minutes;
1975 POLE PAINTING, 4 minutes; POWER SHOVEL, 7 minutes;
SANTA CLAUS PARADE, 10 minutes;
1976 FOG RISING , 1 minute; A DAY AT HOME, 3 minutes;
*JUNA AND 1, 2 minutes; TWO WOMEN, 2 minutes; *0-LEO AND I, 3 minutes;
WAITING, 13 minutes; CYCLES, 3 minutes; ST. LAWRENCE MARKET, 3 minutes;
*SANTA CLAUS PARADE, 6 minutes
1977 AROUND THE CORNER, 3 minutes; CINEFUGE 2, 3 minutes;
NEW YORK APARTMENT, 3 minutes; EDIE, I minute; THE DISHES, 3 minutes;
STREETCAR, 3 minutes; QUEEN STREET, 3 minutes; ROOF VIEWS, 7 minutes;
YONGE STREET, 3 minutes; *MOTHER AND CHILD, 2 minutes; *LANDSCAPE, 1 minute;
HALLOWEEN BALL, 1 minute; MOSCOW CIRCUS, 4 minutes;
*HIGH SCHOOL MOSAIC, 4 minutes; QUEEN'S TATTOO, 3 minutes;
CINEFUGE 3, 7 minutes; SANTA CLAUS PARADE, 3 minutes; WATCHING TV, 3 minutes;

1978 SQUARE DANCE, 7 minutes; *FASHION SHOW 1, 6 minutes;
FASHION SHOW 2, 2 minutes; OWEN SOUND TOUR, 13 minutes;
0-LEO JUMPING, 3 minutes; HIGHLANDERS BALL, 1 minute;
TIME-LAPSE DANCE, 2 minutes; HIGHLAND GAMES, 3 minutes;
C. U. F. F. FESTIVAL, 2 minutes; WINDOW CLEANING, 3 minutes;
*FIREWORKS, 2 minutes; BAND SPECTACULAR, 7 minutes;
ORANGE PARADE, 2 minutes; *ROCK JAM '78, 7 minutes;
DRUM & BUGLE CORPS, 7 minutes; POLICE GAMES, 2 minutes;
CARABANA PARADE, 3 minutes; *TARTAN TATTOO, 4 minutes;
WARRIORS DAY PARADE, 3 minutes; MUSICAL RIDE, 1 minute;
*FERRIES, 4 minutes; DAYS, 5 minutes; SANTA CLAUS PARADE, 3 minutes;
POST OFFICE, 3 minutes.
1979 *ICE FOLLIES, 3 minutes; *STOCK EXCHANGE, 2 minutes;
AMUSEMENT PARK, 6 minutes; *CINEFUGE 4, 4 minutes;
*ANGEL BABY, 2 minutes; DAVE ANDERSON, 2 minutes;
1980 *DOWN ON ME, 3 minutes; RAISIN FACTORY, 3 minutes;
DREAM FACTORY, 7 minutes; *FIREFLY, 3 minutes (P 1 minute);
PARTY, 2 minutes; PASSOVER I, 7 minutes; PASSOVER 2, 5 minutes;
FOR JOHN, 3 minutes

1981 POST OFFICE, 3 minutes; *CALENDAR GIRL, 3 minutes;
*ANIMAL IN MOTION, 2 minutes, (P); REVOLVING RESTAURANT, 3 minutes, (P);
SCENIC ELEVATORS, 2 minutes; CINEFUGE 5, 1 minute;
*TOY CATALOGUE, 5 minutes; *SWINGING, 2 minutes;
BICYCLE, 3 minutes; *SCANNING 1, 3 minutes, (P);
SOARIN', 2 minutes; *FASHION SHOW 3, 7 minutes;
*DRIVE-IN MOVIES, 7 minutes; *ROYAL WEDDING, 17 minutes;
*MARTHA'S BALLOON RIDE, 4 minutes; *TOM'S TRAMPOLINE, 1 minute;
T. EDISON, SGT. PRESTON, M. BROWN & F. ASTAIRE, 2 minutes;
MY TRIP TO EUROPE, 37 minutes; FUNNEL ON TV, 10 minutes;
1982 TOUR OF A CAT HOUSE, 6 minutes; *EXAMS, 3 minutes;
SCANNING 2, 3 minutes, (P); SCANNING 3, 2 minutes, (P);
COLLABORATION MURAL, 3 minutes (with Jim Anderson);
ROCK JAM '82, 7 minutes; ON THE WATERFRONT, 15 minutes;
FAMOUS SCENES FROM FUNNEL FILMS, 3 minutes; *CHRISTMAS, 15 minutes;
1983 WALLPAPER SERIES; *DRAWING GROUP, 5 minutes
SCANNING 4, 3 minutes, (P); SHOOTOUT AT THE FUNNEL, 3 minutes, (P);
BEACH PARTY, 15 minutes; CYCLE CIRCLE, 7 minutes;
HOT ROD TRUCK PULL, 7 minutes; SCANNING 5, 3 minutes;
CHROMALIVING, 13 minutes (with Chromazone).

SELECTED FILMOGRAPHY 16mm Films (P) = Performance
1969 HOME, 21/2 minutes
1970 PARK IN THE CITY, 3 minutes, double screen; ALBATROSS, 21/2 minutes
1971 KEEP ON DANCING, 2 minutes
1972 SINGING OM, 2 minutes; MORNING SOUNDS, 3 minutes;
PIROUETTE, 21/2 minutes
1973 GEE THIS IS AN EXCITING SCHOOL, I HOPE SOMEDAY TO BE A FAMOUS MOVIE DIRECTOR, 30 minutes, multi-media
1974 BACKWARDS COMMERCIAL 1974, 1 minute; CUBE ROTATION, 10 seconds; EXPERIMENTAL FILMMAKING COMMERCIAL, 2 minutes
1981 *ANIMAL IN MOTION, 2 minutes, (P)
1983 ATTACK OF THE UFO, 1 minute

SELECTED SCREENINGS
1971 Canadian Universities Arts Festival
1974 C. N. E. Student Film Festival/Toronto
1976 Festival of Canadian Films/Cambridge
1977 Toronto International Super-8 Film Festival
1978 The Funnel/Toronto; Toronto International Super-8 Film Festival; Lansdowne Artists' Collective/Toronto
1979 The Funnel/Toronto; Rice University/Houston, Texas; Detroit Film Project/Detroit, Michigan; YYZ Gallery/Toronto; Cinema Parallele/Montreal, Quebec
1980 International Festival of Super-8/Brussels; Toronto International Super-8 Film Festival; The Funnel/Toronto; "The All Night Show", MTV/Toronto; Media Study/Buffalo, New York; Chicago Filmmakers/Chicago, Illinois; Mercer Union Gallery/Toronto
1981 Open Space Gallery/Victoria, B. C. ; Boston Film & Video Makers/Massachusetts; Zone Cinema/Hamilton; "The Frontier", PBS-TV/Buffalo, New York; Stichting Logos Koncerten/Gent, Belgium; London Film Makers Co-op/ England; The Funnel/Toronto; "The All Night Show", MTV/ Toronto; National Film Theatre/Kingston, Ontario; Art Gallery of Ontario/Toronto; International Super-8 Festival/Mexico City; Ind. Film & Video Festival/Tampa, Florida; Ann Arbor 8mm Film Festival/Michigan
1982 Cine Maison des Beaux Arts/Paris, France; Canada House/ London, England; London Film Makers Co-op/England; Chapter Arts Centre/Cardiff, Wales; AORTA/Amsterdam, Netherlands; Biennale de Paris/France; Arsenal/West Berlin; Institut Unzeit/ West Berlin; Academy of Art/Hamburg, West Germany; Metro Media/Vancouver, B. C. ; The Funnel/Toronto; Collective for Living Cinema/New York; S. W. A. M. P. /E1 Paso, Texas; La Chambre Blanche/Quebec City; Millenium Film Workshop/New York
1983 Pittsburgh Filmmakers/Pennsylvania; Forest City Gallery/ London, Ontario; Kitchener-Waterloo Gallery; Canadian Images Festival/Peterborough; Ann Arbor 8mm Film Festival/ Michigan; 'The Frontier' PBS/Buffalo; Off Centre Centre/ Calgary; Pasadena Film Forum/California; The Rivoli/Toronto; Larry's Hideaway/Toronto; The Funnel/Toronto; Art Gallery of Hamilton/Ontario
1984 Tangente/Montreal; University of Guelph/Ontario

SELECTED BIBLIOGRAPHY
"Art Form or Growing Industry?" by Kerri Kwinter, Fuse (July/ August 1980)
"Festival Fever in Ann Arbour?", by Steve Szilagyi, Super 8 Filmmaker (June 1981)
"Canadian Art in New York", by Ross Skoggard, Art Magazine (Sept/Oct 1982)
"Filming Buildings Building Films" , by Martha Flemming, Parachute # 25 (Winter '81)
"John Porter", Canadian Images Festival 1983 (Catalogue) "John Porter", 10 Years of Living Cinema (No Rose, catalogue issue), (Oct/Nov '82)
"John Porter/Manuel DeLanda", by Jim Hoberman, Centerfold/ Village Voice (June 8, 1982)

ROBERT RAYHER

SELECTED FILMOGRAPHY
A MAN IN THE BOX (1977-78), Colour, 16mm, 71/2 minutes
PERSISTENCE (1978), Colour, Super 8, 3 minutes
ONE 1978 (1978), Colour, Regular 8, 12 minutes
STILL LIFE #2 (1978), Colour, Super 8, 35 minutes
FALL WATER (1978), Colour, Regular 8, 4 minutes
THE WAY OF LANDSCAPE (1978), Colour, Super 8, 10 minutes
EVERGREEN (1978), Colour, Super 8, 7 minutes
STILL LIFE #1:
CHERRIES (1978), Colour, 16mm, 9 minutes
STUDY FOR STILL LIFE #2 (1978), Colour, Regular 8, 2 minutes
THE BLUE CLIFF RECORD #1 (1979), Colour, Super 8, 8 minutes
THE BLUE CLIFF RECORD #2 (1979), Colour, Super 8, 11 minutes
SUSAN'S FILM (1979), Colour, Regular 8, 10 minutes
BLUE CLIFF RECORD #3 (1979), Colour, Super 8, 11 minutes
* ECLIPSE (1980), Colour, Sound, 16mm, 2 minutes
* EUREKA (1980), Colour, Sound, 16mm, 5 minutes
* LETTER TO A LONG LOST FRIEND (1980), Colour, Sound, 16mm, 8 minutes
* YELLING FIRE (1980), Colour, Sound, 16mm, 5 minutes
* POST CARD 11 (1980), Super 8, 5 minutes
POST CARD 12 (1980), Super 8, 5 minutes
OUBLI (with Marie Chouinard), (1980), 16mm, 9 minutes
ASPIRATION (1981), 16mm, 9 minutes
THIS IS ONLY A TEST (by Erosetta Stone, Produced by R. R. )
(1980), 16mm, 10 minutes
AN END TO ALL THIS FOOLISHNESS, A FAREWELL TO NO0 YAWK
(1981), 16mm, 11 minutes
3X (1981), 16m film loops

SELECTED BIBLIOGRAPHY
"Rayher Chez Articule" by Claire Gravel, Le Devoir Dec. 1979
"Thirteen Choreographers for two dancers" by Robert Racine, Artscanada, March/April 1981
"Business as (un) usual" by Seth Feldman, Cinema Canada, Feb. 1982
"Films Experimentaux" by Michel Larouche, Parachute, Setp./ Oct. 1982

SELECTED WRITING
"of stones", 1978 Swamp Press
"Eve'n sang (eh butt-eye vain)" in ldeolects #11, 1981, N. Y. C. "Visual Renewal" in Funnel Newsletter, Winter 1982, Toronto and as "Visuelle Erneuerung", in Film Show Catalogue, Rote Fabrik, Zurich, Switzerland
"Non-Music" in Musicworks, #18, Montreal
"Circumstantial Evidence", Catalogue for gallery exhibition at Galerie Optica, Montreal, 1981

SELECTED SCREENINGS
1979 8th International Cinema Festival/Montreal; McGill University/Montreal; Eye Level Gallery/Halifax; The Funnel/ Toronto; Motivation V/Montreal; Articule/Montreal
1980 Millennium Film Workshop/New York City; Cinema Parallele/Montreal; The Funnel/Toronto
1981 San Francisco Art Institute Film Festival; Eye Level Gallery/Halifax; London Filmmakers' Co-op/England; Optica/ Montreal; Media Study/Buffalo; Roten Fabrik/Zurich, Switzerland; Concordia University/Montreal; Cinema Parallele/ Montreal; Millennium Film Workshop/New York City; Mount Saint Vincent University Art Gallery/Halifax
1982 Real Art Ways/Hartford, Connecticut
1983 Articule/Montreal

PIERRE ROVERE

SELECTED FILMOGRAPHY/VIDEOGRAPHY
* BLACK AND LIGHT (1974), B/W, Sound, 16mm, 8 minutes SURFACES (1976), Colour 3/4" video, Sound, 12 minutes IRIS (1976), Colour, Sound, 16mm, 9 minutes
ZEBRES (1978), Colour, Silent, 16mm, 7 minutes FORWARD (1978), Colour, Sound, 16mm (Cinemascope or standard), 18 minutes
FUSION (1979), Colour, Sound, 3/4" video, 31 minutes
LE VAUTOUR (1980), Colour, Sound, 3/4" video, 4 minutes TIME ZONE (1979-81), Colour, Sound, 3/4" video, 19 minutes
UNTITLED (1982), 9 compugraphic photographs, 20cm x 20cm
TO (1983), videotex NAPLPS (compugraphics), 4 minutes at 1200 buads or more
INTO (1983), video NAPLPS (compugraphics), 1 minute at 1200 bauds

SELECTED SCREENINGS AND EXHIBITIONS
1974 ler festival internationale de l'image et du film abstraits/ Montpellier (Grand Prix for Black & Light)
1975 5th International Film Festival/Montreal; Third International Computer Art Festival/New York
1976 Festival of Expanded Cinema, Institute of Contemporary Arts (installation & film)/London, England; 'French Avant Garde Film Today', Anthology Film Archives/New York; 4emes rencontres internationales d'Art contemporain/La Rochelle 1977 MBXA/Paris
1978 7th International Film Festival/Montreal
1979 `Kinechromies' tour: The Funnel, York University, Le Cinema Para1161e, University of Winnipeg, National Gallery of Canada, Pumps; 9th International Festival of Experimental Music/Bourges; Centre Pompidou (installation)/Paris 1980 MBXA/Paris; Centre culturel Pierre Bayle/Besancon; Paris Biennale (installation)/Paris; Tart video franca's', American Centre/Paris
1981 The Funnel/Toronto; Millenium Film Workshop/New York; Fissfilm/Paris; 9th Biennale de Paris in Finland and Portugal (video)
1982 12th Festival de Bourges (video); '30 ans de Cinema Experimental en France', Paris, 1982-Montreal, 1984; Branchements Cinegraphiques/France (tour)
1983 17th Biennale de Sau Paulo (compugraphics); Gallerie du Musee de Quebec; 'Canadian Video Selection', tour of France; 12th Festival de Nouveau Cinema/Montreal

SELECTED BIBLIOGRAPHY
"Une Histoire du Cinema", catalogue, edited & published by the MOMA, Centre Pompidou, Paris (1976
"Une Eloge du Cinema Experimental", by Dominique Noguez, MOMO, Centre Pompidou, Paris (1979), (catalogue)
"Festival de Nouveau Cinema, Montreal", #5, 7, 10, 12 (catalogies)
"Le Regard Active", 24 images (winter 1983/84)
"Un Video de Pierre Rovere", by Claire Gravel, Le Devoir, (May 1980)
"Pierre Rovere Reveler d'autres dimensions visuelles", by Robert Juster, Dimanche-Matin (No. 39, September 27, 1981)

SELECTED WRITINGS
"La Video, support artistique", La Chambre Blanche (Se-t. 1982) "Circuit", Cinematographie (Winter 1981)

JULIAN SAMUEL

SELECTED FILMOGRAPHY
JANUARY WINDOWS (1976), Colour, Silent, 30 minutes, 16mm
FORMATION (1976), Colour, Silent, 11 minutes, 16mm
LINE, GEORGE, AND WATER STREET BOOGIE WOOGIE (1977), Colour, Silent, 23 minutes, 16mm
PORTRAIT OF CYNTHIA (1978), Colour, Silent, 54 seconds
DICTATORS (1982), B/W, Sound, 13 minutes
IN INDIA AND PAKISTAN (1982), Colour, Sound, 50 minutes, 16mm
THE LONG SLEEP AND BIG GOODBYE (1983), B/W, Sound, 14 minutes, 16mm

SELECTED SCREENINGS
1976 Cinema Lumiere/Toronto; Harbourfront/Toronto
1977 Art Gallery of Ontario/Toronto; Artspace/Peterborough 1978 The Funnel/Toronto; Canadian Images Festival/ Peterborough
1979 Canadian Images Festival/Peterborough; Cinema Parallele/ Montreal
1982 Tyneside Film Festival/England; The Funnel/Toronto

ALAN SONDHEIM

SELECTED FILMOGRAPHY
HOLLYWOOD (1981) 16mm
FILMS 1-8 (1982), 16mm
FILMS 8-16 (1982), 16mm
TALKING CURE (1982), 16mm

SELECTED BIBLIOGRAPHY
Village Voice, Review by Carman Moore, 1969
Village Voice, Review by Tom Johnson, 1974
"Bykert Show" by Kenneth Baker, Art Forum, 1971
"Projects in Nature" by Roberta Smith, Art Forum, 1975 "Beyond Reductivism" by Robert Horvitz, Art Forum, December 1974
"The End of Intelligent Writing" , Review by Richard Kostelanetz, 1974
Soho Weekly News, Review by Ann Sargent-Wooster, 1977 "Raw Material", Review by Maedlein Burnside in Soho Weekly News, 1977

SELECTED SCREENINGS
1971 Nova Scotia College of Art and Design/Halifax
1972 Oberlin College 1973 Brown University 1974 Yale University
1975, 1977 Biennales Whitney Museum/New York City
1976 Museum of Modern Art/New York City
1980 The Kitchen/New York City
1981 Art Gallery of Ontario/Toronto
1983 Millennium Film Workshop/New York City; The Funnel/ Toronto; Foundation for Art Resources/Los Angeles; Newport Harbour Art Museum

SELECTED PUBLICATIONS
"An, ode", Burning Deck Press
"Analysis of Situation" 1972
"Resonances" (for Bylert group show) 1971
"Strata" NSCAD PRESS, 1972
"General Description of the World (for NSCAD show) 1972 "The Structure of Reality" NSCAD Press, 1977, Williams College Art Department Publisher, 1977
"A Number of ..." 1977
"The Notebook" 1977
Articles and Reviews in: Arts Magazine, C. A. A. Journal, Real Time II, The World, Hartford Advocate, C. E. A. C. newspaper, Informations et Documents, Art-Rite, Art Papers, Millennium Film Journal, etc.
Allen Sondheim was also the editor of "Individuals: Post-Movement Art in America", Dutton, 1977

EDITH STEINER

SELECTED FILMOGRAPHY
FAKE MILK COMMERCIAL (1980), B/W, Sound on cassette, Super 8, 3 minutes
A NIGHT IN THE LIFE OF MY T. V. SET (1982), Colour, Sound, Super 8, 3 minutes
* EXAMINATION ABOARD A UFO (1983), Colour, Sound, Super 8, 5 minutes
DANCE PARTY (1983), Colour, Sound on cassette, Super 8, 5 minutes
WELCOME HOME (1983), Colour, Silent, Super 8, 7 minutes WHITE FLAG (Film Performance), Super 8 loop, varied lengths
I WALK THE LINE (1983), (FilmPerformance), 16mm loop w/ musicians

SELECTED SCREENINGS AND EXHIBITIONS
1974 'Recent Photographs', 567 Gallery/Toronto; The Women's Centre/Waterloo
1975 'Exposure', Art Gallery of Ontario/Toronto
1982 Arsenal Kino/West Berlin; The Funnel/Toronto
1983 Pittsburg Filmmakers/Pittsburg; 'Performance & Film', Mercury Theatre/Toronto; The Kitchener-Waterloo Art Gallery/ Kitchener; 'Mostly Rock & Roll', The Funnel/Toronto; `Showdown at Sundown', The Funnel/Toronto
1984 Plug/In Inc. Gallery/Winnipeg

PHOTOGRAPHS PUBLISHED IN
Image Nation (1974), Impressions Magazine (1974), Miss Chatelaine (1974), Night Out (1976), Shades (1977, 1978), File (1977), New York Rocker (1978), Macleans (1980, 1981), Toronto Life (1980), Today (1980, 1981), Star Week (1982)

LEILA SUJIR

SELECTED FILMOGRAPHY
SPECTRA (1972), (with Roger Mitchell), 16mm, Sound, 32 minutes
* TECHNOLOGICALLY NATIVE: A NARRATIVE DOCUMENT (1981), (with Douglas Berquist), 16mm, Sound, 12 minutes
INDIA FILES (in progress), Super 8

SELECTED SCREENINGS (for Technologically Native)
1983 The Funnel/Toronto; CSIF/Calgary; Off Centre Centre/ Calgary; 'Semiotics & Art Panel'/Calgary

SELECTED BIBLIOGRAPHY (for Technologically Native) "The World Between Subject and Object", by Sarah Murphy, CS/F Film Video Journal (Summer 1983)
"A Review of 'Technologically Native-A Narrative Document"', by Don Mabie, Vanguard (September 1983) "Workshop Film as Mystifying as its Title", by Fred Haesaker, Calgary Herald (June 14, 1983)

SELECTED WRITINGS
"A Review of 'Crash Points' by Peter Dudar, Centerfold (now Fuse), May 1977
"Some notes and thoughts after viewing `Rameau's Nephew ... `, for English Speaking Audiences .... Centerfold (now Fuse), 1977
"A Review of 'The Spiral Stair'-a novel by John Bentley Mays, Centerfold (now Fuse), April 1978
"Not ready-made (Marcel Duchamp) but having-been-made: Roland Barthes' Roland Barthes, Brick 9 (Spring 1980)
"The Cutting Edge: Every Picture Tells the Story-Censorship of artists' films", City Limits (July 1982)
"A Review of 'Agit Prop-, Vanguard (October 1982) "Reconstructing Histories: Wadja's 'Man of Iron'", City Limits (Feb 1982)
"Taking Big Dog for a City Walk", Fuse (Dec 1982)
"An Interview with Michaelle McLean from the Funnel ... ", CSIF FilmIVideo Journal (Summer 1983)
"Technologically Native: Research Document for a Film", (with Douglas Berquist), NeWest Review (April 1983)

ADAM SWICA

SELECTED FILMOGRAPHY
* MONTANA SHUFFLE (1976), Colour, Sound, Super 8, 12 minutes
* PEEP AND SQUEAK (1978), Colour, Sound on cassette, Super 8, 8 minutes
* WORDS/LAZLO/DENTISTRY (1982), Colour, Sound, Super 8, 10 minutes
* DEATH/ANGER/SEX-WITH JACKIE (1983), Colour, Sound, Super 8, 18 minutes
* LIVING ROOM-WITH JOHN (1983), Colour, Sound, Super 8, 10 minutes
* BEAUTY-FOR CONNIE (1983), Colour, Sound, Super 8, 13 minutes
* DENTISTRY-LAUNCH 5 (1982), Colour, Sound, Super 8, 21/2 minutes

SELECTED SCREENINGS
1977 Toronto Super 8 Festival (Honourable Mention)/Toronto 1978 Ann Arbour Super 8 Film Festival (Honourable Mention)/ Michigan
1979 London Filmmakers' Co-op/England; Cinema Parallele/ Montreal; The Funnel/Toronto
1980 Detroit Film Project/Detroit; Communal Cinema/Hanover, West Germany; Chicago Filmmakers'/Chicago; Media Study/ Buffalo
1981 The Funnel/Toronto; KAAI Gallery/Kingston; Art Gallery of Ontario/Toronto
1982 Arsenal Kino/West Berlin; The Funnel/Toronto
1983 Forest City Gallery/London; Open Space Gallery/Victoria; CSIF/Calgary; Artcite Gallery/Windsor; Pittsburg Filmmakers/ Pittsburg; Canadian Images Festival/Peterborough; The Funnel (Solo show)/Toronto
1984 KAAI Gallery (solo show)/Kingston

SELECTED BIBLIOGRAPHY
"Adam Swica, The Funnel", by Blaine Allan, Parachute 33 (Dec.- Jan. Feb. 1983-84)
"Five Films by Adam Swica", by Peter Chapman, Opsis (Vol. 1, #1 1984)

VILLEM TEDER

SELECTED FILMOGRAPHY
*RED (1976), Super 8
FROM HOME MOVIES (1977), Regular 8
A CIRCLE (1977), Super 8
GREATEST HITS (1977), Super 8
LOOP WITH THREE COLOURS (1977), 16mm
`MAN AAY' SERIES, #1 (1978), Regular 8
EXPERIMENTS IN NON-ORDINARY PROCESSING OF 7389 (1978), Super 8
*EYES (1978), Super 8
HOMAGE TO HENRY FORD (1978), Super 8
*THIS WAY OUT (1978), Super 8
FRANK (1978), 16mm
JANUARY 8, 1978 (1978), 16mm
GREEN (1979), Super 8
* CELLULAR PROGRESSION (1979), 16mm
INCIDENTS FROM THE TRIM BIN (1979), 16mm * THE INTERVAL (1979), 16mm
LITE/LINEDRAWING (1979), 16mm
* MAN RAY SERIES #3 (1979), 16mm
PAINTING WITH THREE COLOURS (1979), 16mm
* RESONANCES (1979), 16mm
A FILM OF THE FILMMAKER UNPACKING HIS BAGS (1980), Super 8
* MUSKOKA, NOV. 1979 (1980), Super 8 * TREES AND GRASS (1980), Super 8
A FILM OF THE FILMMAKER UNPACKING HIS BAGS
(1980), 16mm
LEADING UP TO (1980), 16mm
* SEQUEL TO TREES AND GRASS (1981), Super 8
* `BATKI' #5 (1981), 16mm
GREEN AND BLUE (1981), 16mm
MOIRE STUDIES (77, 78), COLLECTED (1982), 16mm
PROCESSING EXPERIMENTS (1982), 16mm * PSYCHOLOGY 101 (1982), 16mm * VACATION STUDIES (1982), 16mm * IF YOU FIND A WAY OUT (1982), 16mm * NOVEMBER 13, 1982 (1982), 16mm
* NO COMMERCIAL POTENTIAL (1983), 16mm

SELECTED SCREENINGS
Toronto, Ontario; Houston, Texas; Buffalo, New York; Chicago; Ann Arbor, Michigan; Kingston, Ontario; Montreal, Quebec; Athens, Ohio; British Columbia; London, Ontario; London, England; Paris, France (1982 Biennale); Hamilton, Ontario; Oakville, Ontario; Ghent, Belgium.

SELECTED BIBLIOGRAPHY
"The Experimental Film Work of Villem Teder, article by A. Gronau in Funnel Newsletter (No. 4, March 1980)
"Canadian Art in New York", review by Ross Skoggard in Art Magazine (sept/Oct 1982)

CAROLINE WHITE

SELECTED FILMOGRAPHY
* TEST RABBIT (1983), Colour, Sound, Super 8, 5 minutes * WATER (1983), Colour, Sound, Super 8, 3 minutes THE ARTIST AND THE CRITIC (1983), Colour, Sound, Super 8, 6 minutes
ROUND 30 (1984) B/W, Super 8, Sound, 4 minutes MIGHTY LEADERS (1984), B/W, Sound, Super 8, 2 minutes YOUR GAZE (1984), Colour & B/W, Sound, Super 8, 3 minutes

SELECTED SCREENINGS
1983 The Funnel/Toronto; The 0. C. A. Show, The Funnel/ Toronto
1984 "The Deeply Buried Truth", The Funnel/Toronto

SELECTED PUBLICATIONS
"Targeted Training", Impulse Magazine (Fall 1983) "Control", SIC #4 (1983)
"Photo Series", RANT (1983)

JOYCE WIELAND

SELECTED FILMOGRAPHY
TEA IN THE GARDEN (1958), Collins & Wieland, 16mm, 4minutes
ASSAULT IN THE PARK (1959), Snow & Wieland, 20 minutes
LARRY'S RECENT BEHAVIOUR (1963), 8mm, Colour, 18 minutes
PEGGY'S BLUE SKYLIGHT (1964), 8mm, 17 minutes
PATRIOTISM, Part One (1964), 8mm, Colour, 15 minutes
PATRIOTISM, Part Two (1964), 8mm, Colour, 5 minutes
* WATER SARK (1964-65), 16mm, Colour, 14 minutes
1933 HAND TINTING (1967-68), 16mm, Colour, 14 minutes
SAILBOAT (1967-68), 16mm, B/W (printed on colour stock), 3 1/2 minutes
CATFOOD (1968), 16mm, Colour, 13 minutes
RAT LIFE & DIET IN NORTH AMERICA (1968), 16mm, Colour, 14 minutes
REASON OVER PASSION (1967-69), 16mm, Colour, 90 minutes
DRIPPING WATER (1969), 16mm, 10 minutes (co-directed by Michael Snow)
PIERRE VALLIERES (1972), 16mm, 33 minutes SOLIDARITY (1973), 16mm, 8 minutes
THE FAR SHORE (1979), 35mm, feature length 1 hour, 46 minutes (distributed Astro Films)

SELECTED SCREENINGS
1963 First Program of Underground Films, The Isaacs Gallery/ Toronto
1967 Bostom Museum of Contemporary Art, "Canadian Film Survey"/Boston; The Jewish Museum/New York, "The Painter as Filmmaker"; "World Festival of Experimental Films", Knokke-Le-Zoute/Belgium
1969-70 Canadian Mini Festival (Canadian Films sent through Europe by The Department of External Affairs); Oberhausen Film Festival/Austria; "Reason over Passion", Edinburgh Film Festival/Scotland
1970 Cannes Film Festival
1968 "Five Films by Joyce Wieland", Museum of Modern Art 1971 Premiere of "Reason over Passion", Museum of Modern Art; "First Major Film Festival of Women's Films", Fifth Avenue Cinema/USA
1972 "Structural Films", Vancouver Museum; "Joyce Wieland Retrospective", Pacific Film Archives/Berkeley, California; Sonsbeek Film Festival/Holland; "Festival of Women's Films", New York Cultural Centre
1973 "Retrospective Films of Joyce Wieland", The Whitney Museum of American Art; "International Festival of New Cinema", National Film Theatre/London, England; "Canadian, American & European Films", Avaunt-Guarde Festival; 2nd International Cat Film Festival/New York, Paris, Berlin 1974"New Forms in Film", Montreux Film Festival/Switzerland 1976 International Women's Film Festival/New Orleans, Louisiana
1977 "The Far Shore", New Delhi International Film Festival 1976 "The Far Shore", Cannes Film Festival
1978 "The Far Shore", Chicago Art Institute; "The Far Shore", The Museum of Fine Arts/Houston/Texas
1983 The Funnel/Toronto; Berlin, 0 Kanada/Berlin
1968 Vancouver Film Festival, Honourable Mention

FILM COMMISSIONS AND AWARDS
1967 The Art Gallery of Ontario, Commission "Bill's Hat, film & mixed media
"Rat Life & Diet in Morth America", 2 prizes at the Third Independent Filmmakers' Festival/New York City, 1969 (The film was sold to German Television, Canadian Television and was screened in the Netherlands).
The Victor M. Staunton Award—Canada Council, 1972 "The Far Shore"-3 awards—Canadian Film Awards, 1977 "The Far Shore"—London International Film Festival, 1977

REPRESENTED IN THE FILM ARCHIVES OF
Museum of Modern Art/New York; The Royal Belgium Film Archives; Farleigh Dickenson University; The Beaubourg Museum/France; The National Gallery of Canada/Ottawa. (The complete works of Wieland).
The non-film works of Joyce Wieland are represented by The
Isaacs Gallery, Toronto, and the Yajima Galerie in Montreal. Further information on the artist available on request.

SELECTED BIBLIOGRAPHY
"There is Only One Joyce", by P. Adams Sitney, Artscanada (1970)
"Interview with Joyce Wieland" by Kay Armatage, Take One (Feb. 1972)
"The Experimental Films of Joyce Wieland" by Lianne M. McCarty, Cinetracts Vol. 5 #1 (Summer/Fall 1982)
NOTE: This appendix was compiled from information supplied by the artists. Discrepancies in comprehensiveness of information and/or omissions may exist. The Victor M. Staunton Award—Canada Council, 1972 "The Far Shore"-3 awards—Canadian Film Awards, 1977 "The Far Shore"—London International Film Festival, 1977

REPRESENTED IN THE FILM ARCHIVES OF
Museum of Modern Art/New York; The Royal Belgium Film Archives; Farleigh Dickenson University; The Beaubourg Museum/France; The National Gallery of Canada/Ottawa. (The complete works of Wieland).
The non-film works of Joyce Wieland are represented by The Isaacs Gallery, Toronto, and the Yajima Galerie in Montreal. Further information on the artist available on request.

SELECTED BIBLIOGRAPHY
"There is Only One Joyce", by P. Adams Sitney, Artscanada (1970)
"Interview with Joyce Wieland" by Kay Armatage, Take One (Feb. 1972)
"The Experimental Films of Joyce Wieland" by Lianne M. McCarty, Cinetracts Vol. 5 #1 (Summer/Fall 1982)

NOTE: This appendix was compiled from information supplied by the artists.
Discrepancies in comprehensiveness of information and/or omissions may exist.

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