Positiv (first chapter of Panic Bodies) 10 minutes, 1998

A monologue about AIDS, rendered in split-screens generously furbished with images from Terminator 2, science flicks, Michael Jackson and home movies. The opening section of Panic Bodies (70 minutes 1998).

“Filmed in the shadow of AIDS, Panic Bodies is Hoolboom’s testament to the permanent impermanence of the flesh. The film’s six parts show the range of Hoolboom’s engagement with mortality, from rage to reverie… Whether he’s remixing Terminator 2 or concocting a female paradise, Hoolboom finds a balance between razor-sharp intellect and palpable love for images and sounds. To watch Panic Bodies is to see what it means to live and die in the cinema.” Cameron Bailey, NOW

Moucle’s Island (fifth chapter of Panic Bodies) 10 minutes, 1998

Panic Bodies consists of six parts or chapters, varying in length and style. Each suggests a new approach to these returning questions: what does it mean to have a body; to be a body, and what does this body want? Hoolboom appears in the framing chapters, and in between others take his place, submitting their bodies to a probing research. The treatment and effects of AIDS reform these subjects, but also the sexual body with all its desires and questions, and the almost dying body that can temporarily leave the world to be absorbed by what is called ‘the white light’ in Eternity

The fifth chapter is entitled Moucle’s Island and features Vienna avant filmmaker Moucle Blackout. It rhymes her movements with the gestures of a small child, and then projects her into a dreamy sexual reverie.”  Esma Moukhtar, Montevideo Catalogue